Intigam Soltan

Azerbaijani family drama.

The events in this family drama are based on husband-wife, daughter-in-law-in-law, in short, family relationships.

The events in the series mainly revolve around Rufat, Afet, and Zarifa. Rufat and Zarifa once loved each other. However, Rufat, who sacrificed his love for wealth, married Afet, the daughter of the wealthy Samadagha. Despite the passing of years, Rufat is not happy with Afet. The biggest reason is that they do not have children. Zarifa lives a simple life with her only daughter, Shalala. Rufat, who meets Shalala, becomes attached to her from the first moment and thinks that Shalala is his own daughter. Although Zarifa denies this, Rufat's attachment to Shalala increases day by day. And this situation also brings Rufat and Zarifa closer. Afet's father, Samadagha, is involved in illegal activities. And he is ready to do everything in his power to ensure that his daughter is not unhappy.

The film based on Agil Abbas's novel about Nagorno-Karabakh War. The film tells about the heroism of the sons of Azerbaijan, who fought for the Motherland to the last drop of blood in spite of everything in the Karabakh war.

The anthology consists of 4 short feature films: "Postscriptum", "His Father", "The Gift" and "The Black Garden".

The movie describes the last remaining years of the great Azerbaijani poet, Huseyn Javid who was the victim of 1937-1938 USSR repression.

The events in the film mainly take place at the railway station. The main character, Karim, has the greatest goal — like his father — to kill flies. And for this work he considers himself a true hero. In short, the main meaning of the film is that those who are engaged in idle work actually consider themselves to be concerned with serious, vital issues.

The film takes place in the Azerbaijani capital of Baku at the end of the 1980s. At this time, the Soviet Union was starting to fall apart, and with this came the start of a number of ethnic conflicts. Fariz and his family move into a Baku apartment block from war-torn Nagorno-Karabakh. Fariz's relations with his new neighbors are strained by his accusations that it was people like them who failed to support the Azeris in their conflict with ethnic Armenians. The only one who stands up to him is Alik, who acts as peacemaker between him and the older inhabitants of the building. Alik has no reservations about brandishing his gun in order to keep the peace. One day, the apartment managers want to evict a number of musicians who have been squatting in the basement. Alik gets involved, but soon discovers the situation is more complicated that he first believed.

In Lezgi beliefs, Hal is an unfortunate woman who wanders in the forest, does not get along with people, and has long hair that hangs on the ground. According to legend, she went crazy and went to the steppes after experiencing a tragedy in her family. Although she does not harm people, her presence always creates fear and horror.

Disasters happen when orphans who grow up together are thrown into the independent life.

During the late 1980s and early 1990s the Armenian minority in Nagorono-Karabakh attempted to break away from Azerbaijan, one of the former Soviet republics. Overnight these former neighbors became enemies, and simple village folk were suddenly made hostages in a complex power game. One of the Azerbaijani villages right on the border is home to the family of the peasant farmer Kerim, who has just been captured by the Armenians. The village council decides to take an Armenian in order to arrange a hostage exchange. They imprison the wounded man in the barn next to Kerim's house, where his wife and three children desperately await the husband's return. The captive from the other side of the border finds himself in exactly the same situation - he, too, has three children, he finds it hard to scrape a living together, he has never done anything to harm anyone and, like Kerim, he just wants to go back home. But life in Karabakh is far more complex now. Blood calls for blood.

The events in the film begin with a desperate man named Ziyadkhan gathering his children. The children's indifference and disloyalty, who have not visited their father for years and who have not shown any interest in their fathers, especially after their mother's death, are exposed.