Artyom Melkumyan

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While vacationing in the countryside at his childhood home, a woman suddenly reveals to her husband that she is expecting a child – but not his.

A fourth-grader is looking for her father with the help of a friend.

"[Last Station / Verjin kayan] is inspired by the play 'Sojourn at Ararat', written and directed by Gerald Papasian and Nora Armani who also perform in the film. The play was premièred in 1986 in Edinburgh and went on to make a world tour. The film tells the story of three people on tour with a play against the background of a time in which new nations emerge and old rulers make desperate efforts to cling on to power. The scenes in the play are comments on the life of three actors, the Man, the Woman - an Armenian couple - and the Stage Manager, a dissident Russian who was once a famous Shakespearian actor. The picture of the three becomes increasingly clear as the journey passes more and more locations and they meet more and more people." - IFFR

The film takes us back to Crimea, during Nazi occupation. Hayk Margaryan, a member of an underground organization, saves a painting by Aivazovsky, which Hitler's soldiers tried to smuggle from Theodosia.

The film tells about the "new Russians" who want to buy a cottage and find themselves in the house of a dead writer, whose family members meet the main characters in different ways

Soviet Armenian adaptation of Ray Bradbury's "The Martian Chronicles".

Armenia in the Middle Ages ... the desert ... the bell-tower of a half-destroyed church ... Martiros languishes in the desert. His heart strikes out beyond the narrow monastic circle.

About one day of a lonely young woman, for whom life is a dream, and sleep is life.

A city become sick due to the lack of love, the love that made the city itself. It remains to dream that it is possible to remove all diseases and evil forces from the city, and it will be cleaned, people will become kinder and start to create and build.

For many ages the Armenian nation, having no statehood, has concentrated all its values in the family and made it the center of the national spirit. The main characters of the film arrived in northern Armenia and not from paradise. They are refugees who escaped from violence. Both of them are young. The woman is pregnant. They create a world around themselves, and thus create themselves.

A successful businessman with a terminal illness returns to Armenia and buys a mental institution.

For a favorable attitude from his bosses Armen is ready to give up his material welfare but not his duty, honor or conscience.

A visiting magician arranges a session of collective hypnosis, which reveals the true essence of the town's inhabitants.