Michael Fetter Nathansky

Polizeiruf 110 is a long-running German language detective television series. The first episode was broadcast 27 June 1971 in the German Democratic Republic, and after the dissolution of Fernsehen der DDR the series was picked up by ARD. It was originally created as a counterpart to the West German series Tatort, and quickly became a public favorite.

Paula, a young supporting character, studies at the Main Character School and dreams on graduating to become a lead.

After 20 years Moni (38) returns home to her sister Silke who has been attacked by a stranger. Moni is willing to do anything possible to find the attacker and to protect her sister. But is that really what Silke (34) wants? And if so, who is actually the one, to be protected? And above all, protect from who? And which role does the offender René (38) play, who doesn't even understand why he did it. A melancholic film that plays with three different perspectives and constantly reinvents itself while searching for answers.

Factory worker Nadine falls in love with her colleague Paul. Years later, she questions her view of him. A romantic social drama about the magic of falling in love and the pain of falling out of it, set in the Rhineland lignite mining region.

Klaus has a new job. And it's brilliant. The best job in the world. There is just one small snag: after work.

Gabi is a floor tiler. Marco is her trainee. Lately, Marco has been rehearsing with Gabi how to split up with his girlfriend. Gabi adapts his game to her own life and finds a way to fight against her inner emptiness.

Tolga is confused. His girlfriend has left him, but he feels no sense of sadness. But he wants to change that. So he asks his best friend Burak, an imaginative guy who sells kebabs, how he could cry. Burak, who is an expert in feelings, or at least in showing feelings, offers him various techniques. But the more he tries, the more Tolga begins to question his own friendship. Up to the point where Burak asks him a very serious question…

Bodo is standing on the top of a roof and ready to jump, when suddenly his phone is ringing...

A director starts making a film about his grandfather. Or maybe not.

Salidas is a fictional dance film that tells the story of Giralda, an undertaker who accompanies deceased human beings into their afterlife. Interpreted through Spanish flamenco dance and music and set at an old East German ship canal lift, the film creates an associative fusion between Northern and Southern Europe, movement and silence, farewells and eternity.