Rosângela Cortinhas

Picucha may seem old-fashioned, but she has modern ideas and a great sense of humor. At 85 years old, she pushes the limits of her age and does everything she can for her family and friends. Sweet Mother illustrates the everyday life of the elderly with clarity and levity, and shows that youth actually starts at 80. In the role that earned her the 2013 International Emmy® Awards for Best Actress, Fernanda Montenegro adds another success to her list of characters, which includes an Oscar nomination for the film Central Station.

When they discover their town lacks funding for a sewage system, but does have a federal grant to make a movie, a group of villagers decide to make a sci-fi joint about a monster who lives in the building site of a septic tank.

Picucha may seem old-fashioned, but she has modern ideas and a great sense of humor. As the matriarch of a big family, she is involved in the daily lives of her children, grandchildren and other relatives. Undeterred by the typical problems of old age, she uses her many years of experience to solve problems in the best way possible.

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Adelaide and Virgínia met in 1937, a year after the German arrived in Brazil, fleeing the Nazi persecution of the Jews, where she came with her husband and two daughters. Together, they founded and popularized psychoanalysis in Brazil, breaking down barriers and prejudices. They were doctor and patient for 5 years, colleagues for more than 30 years, great friends their entire lives.

A young photocopier operator becomes infatuated with his neighbor and, unable to afford anything from her shop, turns to shady schemes to make money.

Kelson is a young worker who uses his motorcycle to escape the police and win Neide's love. He buys a new motorcycle from swindler Fernando, without knowing that it belonged to a dangerous drug dealer, who got out of prison and now wants it back.

A couple's last moments: their meetings, separations and a sandwich.

A photographer gets involved with a family as he seeks for a new model in a small town.

Éder is arrested after confessing the murder of a man. Duca, his nephew, is sure that his uncle confessed the crime to protect his girlfriend, Soraya, ex-wife of the deceased, so he enlists two of his friends to help prove his theory.

Three minutes. The time to leave a message. To pass the baton and run 1600 meters. To cook an egg. The time to make a decision that can change your life.

Antônio, an 8-year-old boy, discovers that his neighbor Cristina, 80, tells different stories about her life, the names of her relatives and the saints of the day. And Mrs. Cristina believes that Antônio can help her recover her lost memory.

Written in 1625 by the British playwright Ben Jonson, the play “The Staple of News” provides a historic root for this discussion about the role of the press in modern day Brazil. Journalists of several generations discuss the dilemmas of the selection and focus of their subjects, the resistance of the media in accepting itself as a political agent, the inevitability of interpretation as there are no hard facts in nature, and above all the search for an always complex balance between credibility and the public’s growing demand for news.

A coming of age dramatic comedy dealing with the effect that two "summers" have on the lives of several teenagers. The main story involves an innocent teenage boy and a conniving teenage girl who meet on a beach one summer in Southern Brazil. They meet up again the following summer

40 years after fighting for what he thought was new and revolutionary, a former anonymous militant against the now fallen Brazilian dictatorship is accused of being conservative, antiquated and anachronistic by his own son.

Ciba (Rodrigo Santoro) is an independent investigator who works together with the police. A typical fallible hero who struggles with strong personal issues, while preventing crime and injustice. His partner, Deputy Ulisses (Luis Miranda), is a well-meaning professional who recognizes the difficulty in securing his function using only common artifacts, and Ciba's unofficial contact is of utmost importance for the progress of his investigations.

Noeli lives in a suburb of Porto Alegre, is a housewife and has two children. She was born in a country town, went to the capital, worked in a bakery, got married. She's an ordinary person. But there are no ordinary people.

Ricardo is 10 years old, lives in the interior of Rio Grande do Sul and has nightmares about Velho do Saco, sort of a Brazilian bogeyman, “who takes out the eyes of misbehaving children”. It is not easy to distinguish truths and lies when the loss of innocence is confused with the loss of sight.

Canudos was a small village in northeastern Brazil, founded by the messianic leader Antônio Conselheiro and massacred by a powerful army until the death of the last of its 30,000 inhabitants, on October 5, 1897. The film tells the story of the Canudos massacre from an English cannon, nicknamed by the backlands people "A Matadeira", which was transported by twenty teams of oxen through the backlands to fire a single shot.

Teenager preparing for diving competition identifies with suicides who jumped from an old viaduct in Porto Alegre.