Makiko Watanabe

Hiroto Miyama is an unconventional young lawyer who dances to his own tune and gets a little obsessive. For one thing, he’s only interested in criminal cases, and he will never give up in his pursuit of the truth even if offers only a 0.1% chance of being discovered. Japan’s 99.9% criminal case conviction rate leads the world, attesting to a “highly reliable” judicial system. In other words, once a crime suspect is indicted, prosecutor arguments tend to be accepted hook, line and sinker. In the face of those 99.9% odds, there’s no money in being a defense lawyer specializing in criminal cases, but for Miyama, that’s where the interest and kernels of truth lie. From unexpected places, the mold-breaking Miyama stakes his reputation on a prayer of a chance as he clashes with hotshot lawyers who’ll go to any lengths to win in this gloriously fun, legal mystery.

A first-hand account of the Tokyo Metropolitan Police beat following Jake Adelstein, an American journalist who embeds himself into the Tokyo Vice police squad to reveal corruption. Based on Jake Adelstein’s non-fiction book of the same name.

Kaoru Mitazono (Masahiro Matsuoka) is a talented housekeeper with an usual secret. Kaoru is actually a guy! Besides cooking, cleaning and babysitting Kaoru Mitazono has the unusual habit of discovering secrets held within the family of her employers.

While the world of wine mourns the death of Alexandre Léger, his estranged daughter, Camille, learns his extraordinary collection is now hers. But before she can claim her inheritance, Camille must best Alexandre's protégé, Issei, in a test of their senses.

TOKYO MER is formed by order from the Governor of Tokyo. The name of the group stands for TOKYO Mobile Emergency Room. The members are emergency care professionals and they are to go to sites of dangerous accidents and disasters by ER car. Their ER car is a large vehicle equipped with the latest medical devices and an operating area. There, TOKYO MER saves lives of the injured. Kōta Kitami is a doctor for TOKYO MER and its leader. He holds a strong conviction that, regardless of the dangers, he will go to accident sites to save lives.

Aoi Midori is a pharmacist and in the 8-year span of her career, she has worked according to her strong belief that "One must know the patient well in order to prescribe the correct medication as medicine is the bond that connects the patient's today to his/her daily life henceforth". Due to that, Aoi usually takes a long time in her consultations with the patients, and this causes her to be complained by her colleagues for being too inefficient in her work. Aoi shrugs off the complaints as her goal is to help the patients regain the daily life that they once took for granted.

With two map pieces secured, Sugimoto ans Asirpa continue their hunt for the remaining 22 tattooed convicts whose bodies hold the key to hidden treasure.

Commemorating the 120th anniversary of Ozu Yasujiro's birth, six up-and-coming filmmakers remade six of his early silent films as a contemporary mini-series.

Before he was a protector, Kenshin was a fearsome assassin known as Battosai. But when he meets gentle Tomoe Yukishiro, a beautiful young woman who carries a huge burden in her heart, his life will change forever.

The story follows Aya from the time she moves to Tokyo at age 23 up until she turns 40. Aya has to adjust to the different values and perceptions of the big city as she struggles with challenging situations. We get to follow Aya’s move from one neighborhood to another as she maneuvers her career and love life.

Thirty-year-old Koume Shingyouji leaves her job at a major building firm to join family-run Marufuku Builders. There she teams up with Gennosuke, the Fukuyama family’s eldest son, and starts working on renovations. Koume and Gennosuke start their renovations by taking the measure not of rooms, but the thoughts and feelings of their clients: What does home mean to them? How do they want to live? What do they value? The team’s empathetic connection is what makes their work, work.

This drama follows the staff of an Italian restaurant and their everyday struggles. “Roccabianca” is a famous and popular Italian restaurant, but their head chef and owner Tatsumi suddenly collapses and the restaurant loses its unique flavor. The number of customers rapidly declines, but the owner’s daughter and deputy manager Saori happens to find another chef named Ezaki through an online job market who learned cooking at the same place her father did. Ezaki becomes the new head chef of this restaurant and while nobody can deny that he is a gifted chef, it’s his extreme rationalism that doesn’t exactly go well with the restaurants attempt to save its traditional flavor.

Kishibe Midori (Ikeda Elaiza), an editor for a popular fashion magazine, finds herself transferring to the lexicography division following the magazine's discontinuation. The place is filled with a group of quirky characters, led by Majime Mitsuya (Noda Yojiro), a boss with a shaggy hair who is extremely serious. While being tossed about by them, Midori is influenced by their patience and passion for making a dictionary which takes over a decade, and she gradually immerses herself in the work. This drama depicts their struggles in creating and finalizing the dictionary, "The Great Passage."

From thugs to yakuza, Taiza Kujo wields the law to defend society's worst. Fellow lawyer, Karasuma doubts his ethics but joins him in facing the abyss.

In the fictional town of Mahoro on the outskirts of Tokyo is Tada Benriken, a small business which does odd jobs. Its owner is the solemn and level-headed Tada Keisuke, and his unexpected guest, the easygoing but vague Gyoten Haruhiko, a former junior high school classmate who showed up one day and started to sponge on him. The two of them get on like oil and water, and yet are somehow inseparable. They receive queer, dubious incoming odd job requests which they accept, and what comes into view are the friendship between them as well as the backgrounds of their clients.

Tokiko’s mother died 20 years ago and her father Tetsuya is now in his 70's. Her father has a free spirit and is cute. Tokiko is in her mid 40's and still single. She has a strong personality. In their past, Tokiko and Tetsuya did not have a good relationship. It got so bad that they almost ended their relationship, but now they occasionally meet. They go out to eat together and have conversations. Tokiko decides to publish an essay about her father Tetsuya. To collect information for her essay, she meets Tetsuya and listens to various stories, but it's not just pleasant memories.

The story of a teenage boy called Yu, who falls for Yoko, a girl he runs into while working as an upskirt photographer in an offshoot of the porn industry. His attempts to woo her are complicated by a spot of cross-dressing – which convinces Yoko that she is lesbian – dalliances with kung-fu and crime, and a constant struggle with Catholic guilt.

At 14-years-old, Izuna On discovers he and his brother Motoi are both descendents of Tengu (flying goblin-like creatures of Japan folklore). Motoi has wings, which is somewhat rare among Tengu descendants, while On has the ability to communicate with animals. Due to their heritage, the two brothers live together, separated from normal society, and the story focuses on their everyday lives.

Assistant Inspector Fukuie does not look like an assistant inspector but once she starts an investigation, she takes no notice of anyone as she searches for the key to find out the truth. She does not care for the hierarchical relationship of the organisation or career advancement. If she has doubts, she will not listen to her superior and will persist in investigating to the end. Fukuie’s boss Inspector Ishimatsu is completely different from her. He places importance on the organisation and discipline, is rigid and strait-laced. Ever since Fukuie became his subordinate, his pride has been in tatters because she loves to disregard his instructions and investigate on her own even though this eventually results in success and he gets credit for her achievements. His principle is to investigate using orthodox methods, but the results that Fukuie delivers goes against this and makes him feel ashamed.

Chiaki Yoshino is a TV producer. She is 45-years-old and single. Chiaki Yoshino worries about her health and her later years rather than dating. She hopes to buy an old house and live there with a friend when she gets older. Chiaki then goes to Kamakura, Japan to look for a house. There, she meets a 50-year-old single man Wahei Nagakura. Wahei's first wife died and he has one child. Their love story begins ...