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What a prestigious cast for this Brahms evening! Renaud Capuçon and Julia Hagen, two internationally acclaimed artists, first perform the Double Concerto for violin and cello. They are accompanied by the Bamberg Symphony Orchestra conducted by Jakub Hrůša. The concert ends in style with Symphony No. 4.
A rare opportunity to see Barber’s Pulitzer Prize-winning work – opera from the age of Hitchcock, with an atmospheric score and tense, psychological twists. Abandoned by her lover Anatol, Vanessa retreats from the world, waiting and hoping with only her mother and her niece Erika for company. But when, 20 years later, Anatol’s handsome young son arrives unexpectedly, he shatters the calm of this shuttered household of women. Past and present love collides, and the aftershocks threaten to destroy them all.
The Berlin Philharmonic, conducted by Jakub Hrůša, takes the audience on a journey through Bartók’s monumental work *Concerto for Orchestra*, which the composer wrote whilst in exile in the United States. The Czech conductor is a frequent guest with the Berlin Philharmonic. As is often the case, Hrůša looks to the East and presents Bartók’s unbridled music, which celebrates a European humanism.
At the Rheingau Festival, violinist Renaud Capuçon, cellist Julia Hagen and the Bamberg Symphony conducted by Jakub Hrusa perform Brahms's 'Double Concerto for Violin and Cello'.
Can the darkest moments of life also lift our souls? Drawing on his own experience in a Siberian prison in the company of misfits, murderers and theives, Dostoevsky was inspired to write his novel Notes from a Dead House, telling his brother at the time: ‘Believe me, there were among them deep, strong, beautiful natures, and it often gave me great joy to find gold under a rough exterior.’ In Janáček’s hands, Dostoevsky’s inspiration and the raw material drawn from an appalling world of incarceration find an even more powerful form of expression in his last opera, From the House of the Dead. Unfettered by conventional story-telling, Janáček wrote his own libretto, freely weaving together a series of stories of everyday prison life and of the fates of individual convicts.
Janáček's three-act opera Katya Kabanova, staged by Barrie Kosky and staged at the Felsenreitschule by Czech conductor Jakub Hrůša with an international cast of soloists, was performed on August 7 at the 2022 Salzburg Festival. The opera is based on the play The Storm by Aleksandr Ostrovsky. Set in a small Russian town, the story revolves around Káta, who is trapped in a loveless marriage to an abusive man named Boris. When she meets and falls in love with a young man named Vána Kudrjáš, she finally experiences happiness and passion. But their relationship is short-lived, as Boris finds out and forces Káta to confess her infidelity in front of the entire town. The opera explores themes of social conformity, oppression, and the consequences of forbidden love. Stage director Barrie Kosky creates an intimate but impressive setting in the magnificent Felsenreitschule.
From the Auditorium Parco della Musica in Rome, *Má Vlast* – *My Homeland*, a cycle of symphonic poems by Bedřich Smetana. The Orchestra dell'Accademia Nazionale di Santa Cecilia, conducted by Jakub Hrůša.
This ever-popular opera is given a fresh point of view in Barrie Kosky’s highly physical production, originally created for Frankfurt Opera. The Australian director is one of the world’s most sought-after opera directors, whose Royal Opera debut with Shostakovich’s The Nose in 2016 was greeted with delight. For Carmen he has devised a far-from-traditional version, incorporating music written by Bizet for the score but not usually heard, and giving a new voice to the opera’s endlessly fascinating central character.
The story of the birth of Bedřich Smetana's most famous composition, from his first impressions of his stay in Šumava through the images of the Czech landscape through which the Vltava River flows, is told by Jakub Hrůša, chief conductor of the famous German orchestra, in Axel Fuhrmann's documentary film... The Czech composer Bedřich Smetana captured the "sound of the river's springs" as early as 1867 during his stay in Šumava. However, he did not compose "Vltava" until seven years later, when he was already completely deaf. For the individual movements of his world-famous symphonic poem he used various motifs, including the sound of the now extinct Svätojánské streams near Štěchovice. One of the main melodies is said to be taken from the Czech folk song Kočka leze hole, which Smetana transposed into the minor key...
A remote English country house, and old and faithful housekeeper, two young orphan children and an eager new governess sent down from London to look after them. But all is not quite as it seems in the sheltered world of Bly. Britten's brilliantly scored, insidiously compelling adaptation of Henry James's novella takes its themes of of childish innocence and adult corruption, then twists and turns them to disturbing and ultimately devastating effect.
At the Baden-Baden Easter Festival, the Berliner Philharmoniker and conductor Jakub Hrůša perform the Concerto for Orchestra, a work composed by Béla Bartók during his exile in the United States. Also on the programme is Beethoven's Piano Concerto No. 5 performed by South Korean pianist Seong-Jin Cho.
