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Paleontologist Júlia wants to convince the stubborn farmer Abner to let her excavate on his land. The site is said to be an archaeological site containing the remains of prehistoric animals.
Éramos Seis is a Brazilian period drama telenovela produced by SBT and originally broadcast from May 9 to December 5, 1994. Based on the 1943 novel of the same name by Maria José Dupré, it was adapted by Sílvio de Abreu and Rubens Ewald Filho, with direction by Henrique Martins and Del Rangel and general direction by Nilton Travesso. The telenovela stars Irene Ravache, Othon Bastos, Jandir Ferrari, Tarcísio Filho, Luciana Braga, and Leonardo Brício. Set in São Paulo between the 1920s and 1940s, the story follows Dona Lola, a devoted wife and mother who struggles to keep her family together despite financial hardship and personal tragedy. As her four children—Carlos, Alfredo, Isabel, and Julinho—grow into adulthood, each follows a different path shaped by love, ambition, and loss. Through decades of sacrifice and resilience, Lola witnesses the joys and sorrows of family life while enduring profound changes that ultimately leave her to reflect on a lifetime of devotion.
This is the story of a young couple, Dafne and Gabriel, who are separated by her grandfather Jaques, a millionaire who couldn’t handle that his granddaughter was in love with a poor guy. After an accident, Jacques is presumed dead and leaves his business to Dafne, but on the sole condition that she marries. Judith, her grandfather‘s stepdaughter, takes over the business temporarily and schemes to pair Dafne with her brother Nicholas in order to consolidate her claim. Dafne and Gabriel meet again when his unkown daughter decides to find her father, but discover that a passion is only completed when one fulfills the other‘s dream.
A moving tale of courage and resilience in the struggle for freedom – this is the role that life has cast for headstrong Morena in Brave Woman. Raised in a poor neighborhood in the outskirts of Rio de Janeiro, this tough and humble woman will spare no effort to protect her family and gain her independence.
Vídeo Show is a long-running Brazilian TV program on Globo TV. From its debut in 1983 to 1994, the show aired weekly. Since then, it has been airing from Monday to Friday at 1:45 pm, following the lunchtime news, Jornal Hoje and being one of the most-watched afternoon shows. Currently hosted by the actor André Marques, its format is that of a daily "electronic magazine", where the network's backstages are shown, with on-set and behind-the-scenes footage on Globo's series and telenovelas, including bloopers, interviews with the actors, directors and authors, funny segments with scenes from soaps, and old videos from the network's archives. At the end of the show, there is the Vídeo Game segment, consisting on a week-long game show hosted by Angélica, where actors, divided into two teams, must answer questions and complete funny tasks related to the network's current and/or past shows. The winner team is announced on Friday, and donates the prize to a charity of their choice. The opening theme is based on Don't Stop 'til You Get Enough, by Michael Jackson.
At 45 years old, architect Ulisses—feeling lost in his career and unconvinced of his talents—visits a "vocational coach" who promises to find his true vocation. After drinking a suspicious tea in the coach’s crazy ritual, Ulisses blacks out and awakes to find his belongings stolen. Mysteriously, Ulisses also comes away with a strange power: the ability to see people's true vocations by just touching them. Will Ulisses be able to handle his new gift?
A Escolinha do Golias was a Brazilian television program presented and produced by SBT between 1990 and 1997. Returned to be displayed by SBT in 2007, in the schedule of the El Chavo.
The fun and inspiring journey of a woman, from her 8 to 40 years of age, in search of herself and her own pursuit of happiness. When pressured by her family and society, Suzi becomes different from the sensitive girl she once was. Throughout the years, she interacts with different contemporary feminine archetypes: the married woman, the woman who has attitude, the intelligent woman, the successful woman, the depressed woman, the enlightened woman and the desperate woman. Until she meets with her aunt Suely, the free woman, who makes her revisit her story and connect with her past. Suzi stops living in a way to make others happy and goes back to being her own self. A delicate comedy about a woman, who gets tired of corresponding to others 'expectations and goes after fulfillment in her own terms.
