
Gadzhimurad Efendiev
Directing
Known For

A teenage girl from a dysfunctional family, whose parents keep an inexpensive roadside cafe, runs away from home. "It's not I who left them, they left me," - so the girl explains her flight.
They abandoned me

About a young scientist from Syria who moves to Russia with his sister. The scientist suffers from a rare disease - "insensibility."
Tower of Silence
Academic work of 4th courses of the Kabardino-Balkar State University (Alexander Sokurov's workshop).
Our Closest Are Happy

A story of teenager who's trying to find himself
First I
Academic work of 4th courses of the Kabardino-Balkar State University (Alexander Sokurov's workshop).
Warm-Hearted Eyes
Documentary film from the set of Igor Olshansky’s debut short film “Easter”. Igor Olshansky is a participant of Alexander Sokurov’s programme “Example of Intonation”, a non-commercial film support foundation.
Film about the film

Portrait of a young man with a difficult fate. Despite the inherent mental illness, the film's hero earns money for his drinking mother and sister.
Andryukha

Academic work of 3rd courses of training of the Kabardino-Balkarian State University (Alexander Sokurov's workshop).
Alive

The young man, Isa by name, came back to his native city after leaving the prison. At half-destroyed, dark, left, surrounded by harsh and merciless mountains house seriously ill mother and his wife who lost the hope to have happy family life were expecting him. He did evil and was put in the prison, but the main difficulties are still expecting him in the future.
The Hamsa

Academic work of 4th courses of training of Kabardino-Balkarian State University (Alexander Sokurov's workshop).
Army
About a young guy who lives in the pre-war town with his sick mother. At night, he works at the bakery. Once a colleague asked to look after her daughter. After spending the whole day with the girl, the young man is going to return her to his parents, but finds them dead.
A Tree Without Roots

Deeply personal cinematic journey between two worlds—Catholic Venice and Islamic Dagestan. Inspired by Joseph Brodsky’s essay *Watermark* and Merab Mamardashvili’s lectures on those “doomed to run,” I craft a film-essay about identity, the ache of existing between cultures, and the endless search for home. Through fragments of daily life and raw, intimate phone calls with my mother, I try to make sense of living on the border—between faiths, eras, wars, and pandemics.