Viktor Chaynikov

Anna loses her son and husband to war. Her grief-stricken life undergoes a sudden change when three children, tasked with helping the elderly in the city, begin visiting her.

In the Siberian taiga village of Wolf's Burrows, the Strogov family lives — Matvey with his wife Anna and his parents. Through the fate of this peasant family, a picture of the life of the Siberian region during major historical events — the Russo-Japanese War, the 1905 Revolution, the October Revolution of 1917 and the Civil War is outlined.

The years of civil war. Teacher Lyubov Yarovaya is on the side of the revolution. Her husband Mikhail is a White Guard officer. Mikhail fiercely fights against Soviet power. The struggle in the woman's soul between her love for her husband and her revolutionary duty ends with the victory of the latter. She passes a harsh and merciless sentence on Mikhail...

Kolya Kasatkin, who saw in his wife Tanyusha the ideal of female charm, tenderness, kindness, who loved her to the point of oblivion, was at a loss before the idle conversations of well-wishers about his wife's betrayal. Having found his wife with the choir director, Nikolai demanded a divorce. Continuing to love each other, the former spouses are unhappy in separation. Kasatkin's new hasty marriage did not return his peace of mind. In daily agony, in the pursuit of a past life, he also lost his old dream — to live and work in the Far East, where he served in the army. Both realized too late that love does not forgive hasty decisions, that it must be able to keep and protect.

Former student Raskolnikov is pushed to murder when struggling to pay the rent on his apartment. When the murder is being investigated by the police, Raskolnikov struggles between trying to hide his guilt and the pressure to confess.

Leonid Pleshcheyev returned from the war blind. Against his will, he became a dependent. He drowns his grief in unrestrained drunkenness, thereby tormenting his wife Mariya and his teenage son Lyonka. Mariya finally decides to take her son and leave for Altai, but the boy runs away and returns to his father. So, together, they eke out a half-miserable existence until Grigoriy Shalagin, Pleshcheyev's longtime friend, returns from the army. It is he who awakens in Leonid the extinct self-esteem and pride of a soldier. Pity aside, he helps him get back to work.

Nurdin is a man who failed to protect friendship and love, who retreated before deceit and hypocrisy. The benevolent viewer is personified by the Old Man, a character who seems to stand outside the plot. Nurdin tells the Old Man about his life.

About the trial of the October Revolution, which was organized in 1919 by the US Senate.

Typically of the heady days of early Soviet cinema, this is constructed according to the fast, sharp editing principles advocated by Eisenstein, complete with symbolic inserts; but in terms of subject matter, it's much less explicitly political than most movies emerging from Russia in the '20s. Chronicling a young sailor's descent into a murky, treacherous underworld of pimps and thieves, after having encountered a Louise Brooks lookalike at a fairground and missed his departing boat, it's a lively moral fable that delights in vivid visual effects and quirky characterisations. If the plot occasionally reveals gaping holes, and the tacked-on ending urging the clearance of the Leningrad slums seems to be rather gratuitous, there's enough going on to keep one attentive and amused.

The front-line friends during the heavy battle swore to each other that the one who would survive would continue the work of the deceased. Mikhail Nesterov remained alive and the main business of his life was the search for a deposit of valuable clay. These searches began his friend before the war, in remote taiga places. Yevdokiya Perevalova — the widow of a deceased friend decides to help Nesterov get to those deaf places...

Spirka Spandyr, a petty crook and swindler, escapes from the Soviet Union after serving his sentence and soon becomes the pride of the White émigré community in Amsterdam — Baron Spirka von Spandyr.

Three boys are helping Soviet Intelligence to catch German spies during WWII.

A chronicle of life in a small village in the Baikal Region on the eve of World War I and at the time of the October Revolution. The age-old foundations are crumbling, the process of social stratification is underway and, as a result, some people go to defend the revolution, and others - to fight against it. The main hero is the young Cossack Roman Ulybin. At first, this carefree daredevil is preoccupied only with one problem: whether his sweetheart, Dashutka, is to marry him or a merchant’s son, Alyoshka. Roman is killing time fist-fighting with his rival. But little by little, the young man realizes that the world around him has changed, that people are fighting for equality and social justice, and, being a real Cossack, he can’t remain on the sidelines…

About the beginning of M. Gorky's literary activity. Arriving in the provincial town of Samara, Alexey Peshkov publishes one after another incriminating feuilletons under the pseudonym Yehudiel Chlamydia. Acquires enemies, friends, becomes a famous writer and leaves for Moscow.

Performance based on the novel of the same name by Yuri Olesha with the participation of actors from the Leningrad Bolshoi Drama Theater of M. Gorky.

A performance by the Leningrad Bolshoi Drama Theater named after M. Gorky.

In the main character's diary, he describes his life, his work, and the people around him. He goes on to write about his feelings for a woman, and soon after that he begins to show signs of insanity - he talks to her doggie Meji, he gets hold of letters that Meji wrote to another doggie. After a few days, he's already completely disconnected from reality...

The teleplay was based on V. Mayakovsky’s poems “You!”, “Listen!”, “Conversation with Comrade Lenin” and other works of the poet.

After the end of the civil war, sailor Ivan Ivanov, who dreams of working at the legendary Putilov factory, arrives in Petrograd to build a new life.