Acting
A Las Vegas team of forensic investigators are trained to solve criminal cases by scouring the crime scene, collecting irrefutable evidence and finding the missing pieces that solve the mystery.
Over Thanksgiving weekend, all but five students in an old Manhattan building that's now a college dormitory leave for home: staying on one floor are roommates Lauren, Melina, and Alison, plus her boyfriend Diego and Grant, a loner in a room down the hall. Lauren's been seeing things in her bathroom: a silent child of about six. Diego has written a paper on parapsychology, so he holds a séance with the disbelieving co-eds. Something goes awry, because bad things start to happen and the students' only defender is an aging campus cop named Syd. What's the silent ghostly girl's secret, and can Alison discover what's going on before it's too late?
After a car crash, Tammy and injured basketball players are hospitalized. When a nurse kisses dying Tammy, an alien infection spreads through the hospital staff and patients. The facility is quarantined as infected people seek sugar.
The Violin is a 1974 short film by Andrew Welsh and George Pastic, featuring Maurice Solway. Solway also wrote the original music. The film promotes peace and understanding through the power of music and the exchange of knowledge and friendship between the old and the young. In 1975, it was nominated for an Academy Award for Best Live Action Short.
A teenage girl's bizarre attempt to ease the pain of her lonely existence leads to a psychosexual battle of wills between her and her sexually charged mother
Starring Robert McAtee and Molly Leland, this independent film won over audiences and critics alike. Syndicated TV and Movie columnist David Inman wrote "A story that contains heart, humor and everyday weirdness. Like a good book it'll stick with you." Movie critic Richard Propes wrote "One of those indescribable indie flicks that's unafraid to be original, out there . . . Robert McAtee and Molly Leland are both stellar." DVD Special Features includes commentary by Robert McAtee and Producer/Editor Tony Feltner.
