Charl-Johan Lingenfelder

Angeliena’s story is about SELF LOVE... and making money, terminal illness, divorce, nature, friendships, hardships, poverty, travel, hot doctors, plants, dreams, assholes, Ubuntu and... being GOOD ENOUGH.

Kanarie (Afrikaans for 'Canary') is a coming-of-age musical war drama. Drafted into the South African army during apartheid, a young soldier joins the military's traveling choir, and romance on the battlefield causes him to deal with his long-repressed sexual identity through hardship, camaraderie, first love, and the liberating freedom of music, the true self can be discovered.

In 2012, Deon Steenkamp was murdered along with his wife Christel and their teenage daughter Marthella on their farm Naauwhoek. GRIEKWASTAD, based on the bestselling true crime novel by Jacques Steenkamp, tells the tale of the search to find the truth around these murders, however difficult and upsetting it may be.

In this witty father-son story, we are introduced to Varun, a former scammer, and River, a trans drag performer, as they venture on a road trip across South Africa to rescue River's long-lost mother from a rehab clinic in eSwatini. River’s only worry is missing Her Majesty’s Drag Competition and the opportunity to win the prize money to pay for his top surgery. With secrets bubbling to the surface and a competition to win, their relationship will be tested like never before.

Christiaan Olwagen (Johnny is nie Dood nie, Kanarie) adapts Anton Chekhov's classic play, The Seagull, to film, and places it in South Africa in the 1990’s, almost one hundred years after it was written.

René is a brilliant, blind pianist with synesthesia. She "sees" unique colors when experiencing music, voices and emotions, but after an assualt on the night of her first solo performance, her life changes instantly.

A widower, Hans (90), is forced into a repressive old-age-home. Once there, he comes face to face with the draconian management, who forces him to become a rebel and activist, a 90-year-old-man who has nothing to lose by revolting. An anti-ageism revolution about growing old on your own terms.

After a dispute with a local dentist, a minister is thrown out of his church, and finds himself an unemployed White Afrikaner Male. Desperate for work, he accepts a job as a manager in a men's club, which allows gambling, stripping and drinking - by the customers. In an attempt to avoid his old congregation recognising him, he dons a costume straight out of the Bible. To make matters worse, the club is run by his cousin, who is also a gangster.

A poignant coming of age story and exploration of a friendship between a young white boy, and the two adult black men he has grown up around, against the backdrop of the oppressive, divisive apartheid laws of the time. Although society dictates their education are worlds apart, Sam has helped guide Hally from boy to manhood, educating him about the realities and injustices of the world, while Hally in turn teaches Sam what he has learnt at school. Their friendship has taken on an almost fatherly role for Hally, as he struggles with the strained relationship with his alcoholic father. During their debates and reminiscing on the rainy afternoon, Sam and Willy talk about their dreams of winning a ball room competition—their 'world without collisions'—a metaphor for their aspirations and yearning to create a better life for themselves. The peace is broken with the news Hally's drunken father is returning home, unleashing an anger in Hally that leads to an unprecedented bigoted outburst.