Francisca Bernardi

A young possessed woman is brought to live in a convent, where she will provoke passions and test the beliefs and strength of the faithful.

The quiet town of Santa Barbara will meet a new inhabitant, the Count Domingo Vrolok. His arrival will bring a string of strange situations, posing a terrifying menace to the entire community.

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A mother desperate for the disappearance of her son and facing the ineffectiveness of justice to find him, decides to take the reins of the case with his own hands and goes to the mysterious town where his son was last seen.

Chile, 1970. During a night of heavy drinking, Jaime, a lonely 20-year-old young man, is sentenced to prison. There, he meets “The Stallion”, an older and respected man in whom he finds protection, and from whom he learns about love and loyalty. But as their relationship grows stronger, “The Stallion” faces the violent power struggles within the prison.

An intimate play evolving around three main characters: an adult woman, her mother and her female lover. Two days in their lives occur in two opposing setting, everyday life in the demanding metropolis of Santiago and a sailboat trip cruising a beautiful bay. The three character remain trapped in a claustrophobic confrontation. The film dialogs with 'Knife in the water' from the side of women, an intense character drama with many involuntary humorous scenes. The eternal, never completed quest of seeing and recognizing the other as they are or, at least, as they want to be seen.

Lucía is a young woman who works as a seamstress in a factory and lives with her father in an old house in Santiago, Chile. The film occurs in December 2006 during the weeks that take place from the ex-dictator Pinochet’s funeral to Christmas Eve. Through the simple observation of Lucía’s daily life, the spectator is allowed access into a hidden and neglected world of a generation of Chileans striving to recover from the military dictatorship.

A doctor and expert in ethics, Sergio Graf has to fight the Chilean health system as a patient when he gets Guillain-Barré syndrome. It is a journey toward physical deterioration, a loss of safety, and returning to something that he has until now taken for granted: his family.

Three stories with surrealistic comedy elements: A Chilean kid who speaks only in German language; a man fighting with his mind about their way of living; and an old couple trying to solve a problem in silence.