
Olga Futemma
Acting
Known For

The documentary covers the first phase of the brazilian metalworkers' strike in 1979. It was made to be shown to the workers during the truce between the two phases of the strike, with the aim of mobilizing them for the second phase. The film shows the large assemblies, with more than 100 thousand metalworkers, in the Vila Euclides field, in SĂŁo Bernardo do Campo; the mobilization for a vigil at the Union; the resulting street conflicts and the triumphant return of the board, headed by Lula, in the great assembly in which the truce was proposed.
Que Ninguém, Nunca Mais, Ouse Duvidar da Capacidade de Luta dos Trabalhadores

No description available.
Acidente de Trabalho
No description available.
Hia Sá-Sá -Hai Yah

In the late seventies, a group of Brazilian documentary filmmakers traveled to the ABC region in the suburbs of São Paulo with the purpose of recording a wave of worker strikes taking place in response to the negligence of the increasingly powerful and abusive automotive industry. Documenting striking women metal workers, Olga Futemma and Renato Tapajós’ Trabalhadoras Metalúrgicas is a particularly vigorous work among the films produced during this moment in São Paulo worker history. Scenes filmed during the first Congress of Metallurgical Women of São Bernardo and Diadema in 1978 are intercut with images documenting the appalling working conditions against which the women featured in the congress were striking.
Women Metalworkers

No description available.
Chá Verde e Arroz

No description available.
Samurais, FamĂlias e uma Harpa da Birmânia - Os Cinemas da Liberdade

Four generations of the Japanese woman: the struggle for survival, the cult of traditions, adaptation to the city and cultural dilution.
Retratos de Hideko

Liberdade, located in the center of SĂŁo Paulo, is better known as "the Japanese neighborhood". The film shows immigration, the first Japanese settlements, the daily life of the community and the relationship between tradition and cultural assimilation.