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Olga Futemma

Olga Futemma

Acting

Known For

Que Ninguém, Nunca Mais, Ouse Duvidar da Capacidade de Luta dos Trabalhadores
N/A

The documentary covers the first phase of the brazilian metalworkers' strike in 1979. It was made to be shown to the workers during the truce between the two phases of the strike, with the aim of mobilizing them for the second phase. The film shows the large assemblies, with more than 100 thousand metalworkers, in the Vila Euclides field, in SĂŁo Bernardo do Campo; the mobilization for a vigil at the Union; the resulting street conflicts and the triumphant return of the board, headed by Lula, in the great assembly in which the truce was proposed.

Que Ninguém, Nunca Mais, Ouse Duvidar da Capacidade de Luta dos Trabalhadores

1979
Acidente de Trabalho
5.0

No description available.

Acidente de Trabalho

1977
No image
N/A

No description available.

Hia Sá-Sá -Hai Yah

1986
Women Metalworkers
6.0

In the late seventies, a group of Brazilian documentary filmmakers traveled to the ABC region in the suburbs of São Paulo with the purpose of recording a wave of worker strikes taking place in response to the negligence of the increasingly powerful and abusive automotive industry. Documenting striking women metal workers, Olga Futemma and Renato Tapajós’ Trabalhadoras Metalúrgicas is a particularly vigorous work among the films produced during this moment in São Paulo worker history. Scenes filmed during the first Congress of Metallurgical Women of São Bernardo and Diadema in 1978 are intercut with images documenting the appalling working conditions against which the women featured in the congress were striking.

Women Metalworkers

1978
Chá Verde e Arroz
6.0

No description available.

Chá Verde e Arroz

1989
Samurais, Famílias e uma Harpa da Birmânia - Os Cinemas da Liberdade
N/A

No description available.

Samurais, Famílias e uma Harpa da Birmânia - Os Cinemas da Liberdade

2017
Retratos de Hideko
5.0

Four generations of the Japanese woman: the struggle for survival, the cult of traditions, adaptation to the city and cultural dilution.

Retratos de Hideko

1981
Sob as pedras do chĂŁo
N/A

Liberdade, located in the center of SĂŁo Paulo, is better known as "the Japanese neighborhood". The film shows immigration, the first Japanese settlements, the daily life of the community and the relationship between tradition and cultural assimilation.

Sob as pedras do chĂŁo

1974