Jessey Tsang Tsui-shan

A woman with a seemingly ideal life, Siu Man is abandoned by her husband partly due to her fear of intimacy. After several life crises, she decides to reboot her life by taking over her father’s restaurant. Siu Man eventually finds herself attracted to her new chef, a free spirit who treats cooking as serious philosophy. Tired of the shackles she placed on herself, Siu Man embarks on a journey of self-discovery and sexual liberation.

Three troubled young girls will do anything to escape their stifling lives - even if it means turning to drugs and prostitution. Set in the generation of smartphones and web 2.0, the technology may have made communication easier than ever, but cautionary tales of misunderstood youths remain as relevant as they were two decades ago.

Believing that writing Cantopop is her God-given talent, Law Wing-sze decides to make it her lifelong career. But as hard as Sze tries to polish her lyric-writing skills and expand her social circle, nothing seems to go her way. What if there’s a will, but there’s no way?

The financial analysis of a Chinese IT firm has been stolen, and a senior executive at the investment bank that wrote it must pay a ransom before the confidential report is released to the public. However, eyebrows are raised when the thieves ask for a surprisingly low amount for the ransom. What are the thieves really after?

In his Chinese film, "Scent," Park Shi Hoo plays Kang In Joon, a Korean interior designer...who finds love when he meets an innocent Chinese girl...it's directed by Jessy Tseng who directed award-winning art house film Big Blue Lake.

Lai Yee returned in Ho Chung, Sai Kung's home, alerted the village by the time of baptism is not as good as ever, but after ten years away, the mother (Tan Amy decoration), has also grow old, no longer was. Lai Yee re-enter the simple natural life, waiting at the mother's side, seems to want to recover the past ten years time, but the quiet outskirts of rigid world, but because old classmate Lin (Lawrence Chou decorated) broke into and became noisy. Two respective corner of the village, traveled with emotional regret to embark on finding love journey. Short period of time is full of lies, secrets and indulgence. Finally everyone is to find the big blue lake, a large blue lake in the heart and mind, to re-learn to put your face to meet the future more flee war.

Pak-kiu works as a gaffer while waiting for his first break in front of the camera. An inviting target of ridicule, he remains unwavering that he will rise above the sordid realities of the glamorous world of film-making with his determination to be a proper actor rather than a star. So when he is offered a bit part as a cancer patient in a new film, he jumps at the chance to practise method acting, literally getting into his character and inhabiting him through claiming membership of a support group, which reunites him with an old classmate. However, the reunion, shrouded in a façade of altruistic motive, leaves him ill-prepared for a role in real life that is not so easily dismissed as a character in the script...

Depicts a man who gets into a motorcycle accident, his wife Mei, younger sister, and mother. It also tells the story of Ying, a young woman, who is murdered in their home, policeman Jing who is investigating the case, and his wife Yin, who is having an affair with a fellow policeman. They are all connected. The more Jing tries to solve the case, the more cryptic their relationship becomes, and past memories come to light.

A group of documentary filmmakers began to shoot the civil social movement in Hong Kong, which became part of the city's common landscape. Spanning over two years, the filmmakers attempt to reveal the visible and invisible control behind. They trace a mysterious organization which is suspected to secretly control the weather which dampens the mood and suppresses the intention of the public to participate in social movements. On the surface, the question on inclement weather could be answered by climate changes around the world. The underlying sordid discussion, however, is really about intervention, pervasive suppression and control instead of any conspiracy theory.

Lovers on the Road follows Lei as she moves to Beijing for her boyfriend’s job, despite their rocky relationship. She starts a project interviewing other outsiders about Beijing and what they miss. One outsider, estranged from his family in Tokyo, takes Lei on a journey of self discovery.

Lai decides to take a walk on one sleepless night. The scenario is all so familiar, where skater boy is being swept away by the security guard, and gang members getting night snacks at the convenient store. But this night is meant to mean something to Lai which leads her to Shadow, a teenage girl who is having a fight with her boyfriend on the street, and her cat Blacky. The cat helps the two of them to run away from his violence. Shadow may seem too young to know about the world, but not until that moment of encounter, does Lai find her way out.

Continuing her career-spanning contemplation of home and reunion, Tsang Tsui-shan (Flowing Stories, 38th) once again turns the camera on her home village of Ho Chung. This time, she documents her village’s Tai Ping Ching Chiu Festival, a once-in-a-decade event that brings villagers back from all over the world to the village. But when the world is hit by a global pandemic, what will happen to this long-awaited reunion? Made amidst great change in Hong Kong and her own life, Tsang’s latest love letter to her home is a melancholic and wistful affair.

If you were to bid an inevitable farewell to your past, who will you do it with? After disappearing for eight years, Kai decides to revisit the important people in his life. While caring for an abandoned cat, he re-establishes connections with his family and loved ones, revealing feelings he was not able to do before. In this short yet heart-wrenching journey, Kai is not just facing his past footprints, but also a devastated city.

Flowing Stories is a documentary about change, migration of Hong Kong people and the unknowability of the future.

Using a montage of old photographs, this experimental film takes the viewer back in time into the memories of villagers of Ho Chung Village in Saikung.

The immersive, interactive VR experience guides the audience through the intimate creative world of the partnership between dance duo Ix Wong Thien-pau (Malaysia) and Aaron Khek Ah-hock (Singapore). Blurring the boundaries between reality and memory, and using archival material and virtual technology to bridge the divide that separates souls when a loved one departs too soon, Chroma 11 is a poignant reflection on the enduring nature of human connections.

What’s the price one will pay for one’s beliefs? Chan Siu-yau’s life is forced to a halt after being charged, somewhat belatedly, with unlawful assembly and assaulting a police officer during a demonstration in support of striking dock workers over a year ago. In the eyes of fellow activists, she’s no radical, just a concerned citizen singled out for punishment amid an escalating tug-of-war between law enforcement authorities and rights advocates. While Yau is working her shift in a restaurant, busy taking orders and sorting out dirty dishes, the annual June 4 candlelight vigil takes place in the pelting rain, bodies soaked but high spirits undamped. Having missed her university admission exams with two criminal charges looming over her head, what does the future hold for her? Is she guilty as charged?

Lonely Planet

The bench in the small park connects strangers, old and young. The closer they get, the better they understand each other. Friendship started in the park and gradually accumulated bit by bit.

2007 short by Tsui-shan Jessey Tsang