Tebbe Schöningh

On October 13, 1972, Uruguayan Air Force Flight 571, chartered to take a rugby team to Chile, crashes into a glacier in the heart of the Andes.

Roque starts University in Buenos Aires but he is not particularly interested in attending classes or working towards a degree. Instead, he dedicates his time to one of the many groups vying for control of the university, motivated less by grand political ideals than by a wish to get close to Paula, an attractive young teacher heavily involved in internal university politics.

Loro, a sound recordist, meets Luciana, a dancer, and falls in love whit her. When she quits their ballet production and leaves, Loro looks for her in San Francisco, Argentina.

A married man's death puts his widow and mistress in an unusual living arrangement.

Pin de Fartie unfolds as a playful spin on theatrical adaptation and an experiment in character dynamics. The film charts three relationships defined by Samuel Beckett’s 1957 play Fin de Partie (Endgame): one between a blind man and his daughter; another concerning two actors rehearsing that same text; the third following a man who reads his blind mother Beckett’s play and discovers that it reflects their lives.

Haunted by the tragic death of his father, Juan Martín Hsu, a young Argentinian filmmaker of Taiwanese origin, returns to Taipei to film the reunion with his mother. Reality and fiction blend in a moving personal quest in which an incredible portrait of a Mother Courage stands out from the picture of a family saga marked by uprooting.

After the attack on Charlie Hebdo's office in Paris, Ivan, the frivolous son of a prominent Argentine journalist, embarks on a journey pursuing different geopolitical events around the world.

Three intertwining stories that take place in La Salada — the largest unregulated market in Buenos Aires: a Korean father prepares his daughter for an arranged marriage, a young Bolivian man searches for work, and a Taiwanese DVD seller tries to woo a young woman to be his girlfriend.

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La Pampa, Argentina. María, a teacher in a small town who is about to become a mother, decides to leave her violent husband to raise her child in a better place. A small incident triggers the beginning of her journey through the hostile desert.

Buenos Aires 2001. In a supermarket in the suburbs a chinese family decides to close the market for the fear of the looting being committed throughout the city. The days pass by and the family tries to keep their normal lives but the fear of outside lurking breaks in their family life, over and over.

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Elías, wounded and lost in the mist, rows back to his island only to find that the flood has washed away everything and his home lies lonely. He will try to change but this is not enough for the water to wash his blood.

Noemí Goldberg navigates the Spring of her 27th year while contending with an annoying house guest, an incorrigible roommate and an unwanted pregnancy.

This film, Diario de el Loro y el Cisne, is one of the results of this process of writing directly over the images and sounds. It is made entirely from discarded material from the film Loro y el Cisne. I'm not entirely sure of the result. The only thing I can say about it is that it's extremely sincere.

Three "astronauts" wander through the snowy, silent and imposing mountains. Within this short film, the landscape becomes material for experimentation: with its textures, its colors and the images' tempos. In just forty minutes, the director of Murder Me, Monster constructs a fascinating existentialist piece that transforms the screen into a canvas; and the earth into a sort of frozen planet.

1889. On the occasion of the Centennial Celebration of the French Revolution, Argentina sends a dozen Selk'nam Indians to the Argentinian Pavilion at the World's Fair. The epistolary exchange between a French and an Argentine diplomat reveals the absurd horror of the bureaucracy involved in creating a Human Zoo.

After a fifteen-year absence, Farah returns to Lebanon to live with her ageing father. There, the two try to find a common language that will allow them to have one last conversation. Ultimately, that language will turn out to be the only one he understands: poetry.

My mother died ten years ago, and I remember almost nothing about her. The documentary was born out of the need to create a story so I could say goodbye, a quest that takes the form of a personal essay with a narrative that at times resembles a fictional story.