Mark Kermode

Set in the world of fashion and PR, immature fun-loving mother Edina Monsoon and her best friend Patsy drive Eddie's sensible daughter, Saffron, up the wall with their constant drug abuse and outrageous selfishness. Numerous in-jokes and heavy doses of cruel humour have made this series a cult hit in the UK and abroad.

A weekly BBC Two magazine programme focusing on the best of the week's arts and culture news, covering books, art, film, architecture and more.

Andy Millman gave up his day job five years ago in the hope of achieving the big time, but he’s yet to land a speaking part, let alone saunter down the red carpet to pick up an Oscar. He remains optimistic however, as rubbing shoulders with the A-list on-set only serves to reinforce his belief that the big time is just a job or two away.

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When Brian Epstein set foot in the Cavern Club in November 1961 to watch The Beatles perform, he saw something no one else could – a glimmer of gold. Sharply dressed and well-spoken, Brian was hardly the most obvious radical – but being Jewish, closeted and having grown up as an outsider who had failed at pretty much everything, he was a 26-year old with something to prove and who wanted to tear up the rulebook.

The Film Review is a 10 minute film related programme shown on BBC News each Friday evening at 17:45. It reviews three new films each week. The programme's expert film critic is usually Mark Kermode, though others do stand in. The programme is part of the BBC News at Five with Huw Edwards which is shown on BBC News and is usually presented by Gavin Esler, Emily Maitlis or Julian Worricker. The programme is usually repeated again later in the evening at 21:45. The programme was re-named The Film Review on 22 March 2013, following BBC News' move to Broadcasting House.

Benjamin, a rising star filmmaker, is on the brink of premiering his difficult second film No Self at the London Film Festival when Billie, his hard drinking publicist, introduces him to a mesmeric French musician called Noah.

Jamie and Lucy have an encounter with what appears to be a pair of ghost children. But these spooky kids, Sara and Georgie, aren’t actually ghosts. They’ve travelled forwards in time to seek help, believing they’re going to be murdered by the wicked Mr and Mrs Wickens. And Lucy and Jamie’s strange visitor seems to be the key to it all. With his help, they must travel back to 1821 to save Sara and Georgie and redeem their remorseful new friend – The Amazing Mr Blunden.

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An introspective insight into the life and artistic journey of William Friedkin, an extraordinary and offbeat director of cult films such as The French Connection, The Exorcist, Sorcerer, Cruising, To Live and Die in L.A. and Killer Joe. For the first time Friedkin opens up, guiding the audience on a fascinating journey through the themes and the stories that have influenced his life and his artistic career.

Mark Kermode reveals the film-making tricks and techniques behind classic movie genres, from romcoms to horrors.

Documentary, based on a British poll, listing the 100 sexiest movie and TV moments. Supplemented by new interviews with performers, filmmakers, and authors/critics.

William Friedkin attends an exorcism with Father Gabriele Amorth, as he treats an Italian woman named Cristina for the ninth time. Prior to filming, Cristina had purportedly been experiencing behavioural changes and “fits” that could not be explained by psychiatry, and which became worse during Christian holidays.

The cast and main players in the crew come together to discuss the making of cult British horror film The Wicker Man. They discuss the adaptation of the source material, the casting process and the difficult shoot which dealt with everything from a summer film being shot in late autumn and the troubles of the actual wicker man itself.

Produced by Channel 4, Still Tickin´: The Return of A Clockwork Orange examines the controversy over Kubrick’s iconic film, explaining the film’s “demonic level of attention,” and its influence on culture, politics and society, which led to the director’s self-imposed ban.

DA-DUN DA-DUN DA-DUN-DA-DUN-DA-DUN-DA-DUN-DA-DUUUUN Henry Mancini’s iconic score, Peter Sellers’ bumbling Inspector Clouseau, and those unforgettable animated opening sequences - delve into the history of the Pink Panther films, the pink diamond hunting comedy-mystery franchise that was a smash hit, made a megastar of Peter Sellers and spawned an empire. Paul Joyce’s typically thorough and entertaining documentary focuses on star Peter Sellers’ creation of a comedy icon and his relationship with director Blake Edwards. Hosted by Burt Kwouk, who played Clousea’s manservant and martial arts sparring partner Cato, and featuring interviews with Mark Kermode, Herbert Lom (Chief Inspector Dreyfus), Graham Stark (Pepi) and more, THE CURIOUS CASE OF INSPECTOR CLOUSEAU is a must-see... if you can catch it!

Documentary tracing the rise of the 'slasher' movie.

A behind-the-scenes retrospective made for the twenty-fifth anniversary of the classic horror film, The Exorcist. Includes interviews with Linda Blair and the other stars of the film, along with commentary from the director and writer on some of the deeper meanings behind the elements they used to terrify their audiences, and previously unreleased footage including make-up tests and deleted scenes.

The incredible story of how the Beatles emerged from post war Liverpool and turned music upon its head with their changes.

This is the rare UK Channel 4 documentary about Blade Runner, giving insights into it's history with interviews of Ridley Scott, the writers and nearly all the cast. Interviews with production staff, including Ridley, give details into the creative process and turmoil during preproduction. Stories from Paul M. Sammon and Fancher provide insight into Philip K. Dick and the origins of Do Androids Dream of Electric Sheep? Interweaved are cast interviews with the notable exceptions of Harrison Ford and Sean Young. Through these interviews we get a sense of how difficult and frustrating the film was to make as a result of an exacting director without allies and hot, wet, smoggy conditions; which added to the high pressure atmosphere everyone increasingly felt as the film went over budget. There is also a tour of some locations, most notably the Bradbury Building and the Warner Brothers backlot that was the LA 2019 streets, which look very different from Ridley's dark version.