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Nathanaël Karmitz

Nathanaël Karmitz

Production

Biography

Nathanaël Karmitz (born 8 August 1978 in Boulogne-Billancourt) is a French film producer. Since 2005 he has been the chairman and CEO of MK2, the French film studio founded by his father Marin Karmitz, alongside his brother Elisha Karmitz serving as general manager. Description above from the Wikipedia article Nathanaël Karmitz, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Known For

Télématin
5.8

Télématin is a French breakfast television news show, broadcast on France 2 since January 7, 1985. It is broadcast in Metropolitan France weekdays from 6:30 to 9:00 am CET. TV5 broadcast the show in Canada in its entirety until September 2011: it now shows a 90 minute version between 6:30 and 8:00 am Eastern Time, when the French original version is now 2h30 long. Télématin is hosted by William Leymergie. The show is daily seen by around 40% of the French morning audience, a very high percentage for French TV. In Metropolitan France, the newscasts are presented at 7:00, 7:30 and 8:00, with newsflashes at 6:30 and 8:50, and two press reviews at 7:20 and 8:30. The 6:30, 7:30 and 8:50 newscasts are usually presented by a female reader and the hourly newscasts by a male. The usual readers are Nathanaël de Rinquesen, Sophie Le Saint, Julien Benedetto, Sophie Gastrain, Patrice Romedenne and Frédéric Vion.

Télématin

1985Series
Lumière, Le Cinéma!
7.0

In one of those wonderful coincidences of history, lumière, the French word for “light,” was also the last name of brothers Auguste and Louis, whose brilliant invention, the cinematograph, helped to inaugurate the most beloved art form of the last 130 years. Institute Lumière director Thierry Frémaux uses Lumière, Le Cinema! to guide the viewer through over a hundred shorts—some famous, some forgotten, some never before seen—directed by Lumière and company. In the process, Frémaux illuminates how the brothers employed the camera as a creative instrument as they (and their operators) mastered framing, staging, and subject selection for quotidian and exotic microdocumentaries as well as the first ever fictional motion pictures. The result is not only a glorious re(telling) of the genesis of cinema but a profound meditation on the beautiful world captured—and the mysterious world imagined—by the Lumières.

Lumière, Le Cinéma!

2024Movie