Viktor Shevchenko

In 1933, Welsh journalist Gareth Jones travels to Ukraine, where he experiences the horrors of a famine. Everywhere he goes he meets henchmen of the Soviet secret service who are determined to prevent news about the catastrophe from getting out. Stalin’s forced collectivisation of agriculture has resulted in misery and ruin—the policy is tantamount to mass murder.

When reformed ex-smuggler Pamfir returns home to his village on the Ukrainian border after working abroad for several years, he’s determined to earn an honest living and set a good example for his beloved teenage son Nazar. But in a town where corruption runs deep and crime and religion are inextricably linked, his plan is quickly thwarted when Nazar sets fire to the local church in a misguided effort to keep him at home. To pay for the damage, Pamfir must take on one last job for a crime syndicate operating a risky smuggling venture in a place where all the rules have changed.

Hanging out with friends, smoking a lot, spinning bottles and kissing, making mistakes, playing, refusing to accept, dreaming with open eyes - life as a teenager can be overwhelmingly beautiful and difficult at the same time. In her debut, the Ukrainian director composes a deeply emotional and multi-layered portrait of a generation whilst seamlessly flowing between the fictional and the documental.

A 40-year-old loser named Isidoro at the request of his brother drives from Italy to mountainous Carpathian village in Ukraine with a coffin of a diseased Ukrainian worker, who died at a construction site in Italy.

Rokas and Inga, a couple of young Lithuanians, volunteer to drive a cargo van of humanitarian aid to Ukraine. They cross the vast snowy lands of the Donbass region, drifting into the lives of those affected by the war.

Three old fiends decide to take vacation from the everyday life and join the archeological expedition.

Twenty-five-year-old Vadym earns a living recording and selling all kinds of different sounds; nevertheless, he’d rather exchange his life in Kyiv for a better future in far-flung Canada. Thus, when he gets a generous job offer which might help him realise his dream, he jumps at the chance; he soon sets off to record the sounds of animals indigenous to Ukraine and also a rare bird native to the Carpathians. The situation proves somewhat more complicated when Vadym’s companion on the trip turns out to be his mother… To the sounds of a synthesized music score, debuting Ukrainian director Antonio Lukich unfolds a visually creative road movie, in which he demonstrates a highly unusual talent for constructing tragicomic situations.

Despite the war, school life continues in Ukraine, with pupils and teachers striving to continue learning even under constant threat. The film is a mosaic of the everyday lives of teachers and students from different corners of Ukraine.

Urban sprawl, extinct species, depletion of natural resources and global warming are all causes of deep anxiety. Here to stay takes an uncompromising look at Planet Earth today, in all its beauty but also its scars and contradictions. Illustrating the intricate relationship and contrasts between the miracles of nature and man's obsession in trying to tame them. Can we turn back the tide? What do we really want for ourselves?

12-year-old dreamer Vlad accidentally gets caught in a conflict between two alien forces. Together with an electric transformer box The Bobot, a brave girl and an eccentric scientist he has to save the world from a global catastrophe.

A young college student and a group of friends find themselves victims of demons unwillingly released during a mishap at a prestiguous university. To reverse the curse and save themselves, they travel to the forbidden mystical forest in western Ukraine. There, they must locate the legendary Molfars that can help rid them of demonic possession and save each of them from certain death. Danger lurks in the forest and personality clashes add to the tension as the young students fight for survival.

Sofia, a promising young LA-based musician, returns to her home-town of Kyiv for the first time in four years. Her brother is getting married, the tables are heaving with food, everyone is there, including her ex-boyfriend. And then, suddenly, the sirens start wailing, and with the hangover comes the fight for survival.

Ursus is a story of three outcasts—Georgian unemployed film director, Ukrainian ex-stuntman and a Canadian female fighter for the wild animals' rights—making their desperate journey from Tbilisi, the capital of ex-Soviet Georgia plunged into a civil war, to Berlin at the beginning of 1992. Each of the three characters pursues their own goal without even knowing how much their fates are intertwined.

Set by a beautiful river canyon in Western Ukraine, a pacifist community with unique religious beliefs, sees their peaceful way of life gradually distressed by regular floods and eventually an unexpected war.

Ukrainian actor Pavlo Aldoshyn played the lead role in the movie "Sniper. White Raven" based on the real events of the Russian-Ukrainian war in 2014. At the beginning of the full-scale invasion, Pavlo joined the Armed Forces. At the authors' request, the soldier returned from the frontline to Kyiv for the first time in order to play a civilian.

This summer, Ksenia, along with her mother and sister, is forced to pick blueberries in a Kyiv forest to earn a living for the family. But she is distracted by waiting for her lover Misha. Flirting, they go deeper and deeper into the forest, unaware of the danger.

Men on the streets get chased by stares. Someone’s walking a chihuahua, someone’s out jogging, but everyone’s uneasy glances are fixed at Petro and Andriy — recruitment officers inspecting military documents, holiday or not. When the officers encounter the freelance IT guy, Sashko, the young man has two requests before he’s taken away: that they stop by the store so he can buy food for his cat, and that he is allowed to bless his Easter bread.

Kate is a young lonely mother. She falls in love with a fellow but does not have the courage to tell him that she has a son. As their relationship develops rapidly the revelation becomes more complicated. The choice between her personal life and responsibility for her son arises.

At noon, in the shade of riverside trees — as if in the middle of life — you lose something. Yet love is as strong as the river. A man is going through abrupt changes in his life — both personal and caused by the war. He spends a day alone by the river, revisiting a forgotten hobby — fishing. A sense of love and acceptance fills him, but only for a brief moment — he must return to the war.