David Lloyd-Jones

Hamlet comes home from university to find his uncle married to his mother, and his father's ghost haunting the battlements and scaring the watch. Then his father's ghost directs him to seek revenge.

Two households, both alike in dignity, in fair Verona where we lay our scene, from ancient grudge break to new mutiny where civil blood makes civil hands unclean. From forth the fatal loins of these two foes a pair of star-cross'd lovers take their life whose misadventur'd piteous overthrows doth with their death bury their parents' strife.

Henry is a proud monarch who flies in the face of the church in seeking to divorce Queen Katherine and marry Anne Bullen. As cardinal Wolsey, the powerful Lord Chancellor of England, attempts to bend Rome to the King's wishes, the court reverbates with political intrigue and accusations of treachery.

Orlando is forced to work like a servant for his brother Oliver, so he goes to win his fortune in a wrestling contest, where he meets a lady of the court, Rosalind. Rosalind (daughter of the deposed duke) is companion to Celia, niece of the deposed Duke, and when the current duke banishes Rosalind from the kingdom, she, Celia, the court jester (and incidentally Orlando) all end up in the forest or Arden, where the deposed Duke holds court. Romantic mixups, cross-dressing, love poems nailed to trees, and a lion await them all.

Insulted by the Dauphin, the newly-crowned King Henry V gathers his troops for war. But Henry must convince his men that he has left his wild days behind, and prove himself as a leader.

Richard II, who ascended the throne as a child, is a regal and stately monarch. He believes he is the rightful ruler of England, ordained by God, yet he is a weak and ineffective king - wasteful in his spending habits, unwise in his choise of chansellors, and detached from his country and its people. When he seizes the land of his cousin Henry Bolingbroke, both the commoners and the barons decide that their king has gone too far...

When the Duke of Vienna takes a mysterious leave of absence and leaves the strict Angelo in charge, things couldn't be worse for Claudio, who is sentenced to death for premarital sex. His sister, Isabella (a nun-in-training), however, is a very persuasive pleader. She goes to Angelo, but instead of freeing her brother, she gets an offer from Angelo to save Claudio's life if Isabella sleeps with him. The only sympathetic friend Isabella has is a priest who, in actuality, is the Duke in disguise...and he has a plan.

Henry Bolingbroke has now been crowned King of England, but faces a rebellion headed by the embittered Earl of Northumberland and his son (nicknamed 'Hotspur'). Henry's son Hal, the Prince of Wales, has thrown over life at court in favour of heavy drinking and petty theft in the company of a debauched elderly knight, Sir John Falstaff. Hal must extricate himself from some legal problems, regain his father's good opinions and help suppress the uprising.

The death of King Henry the Fourth and the coronation of King Henry the Fifth.

Viola and Sebastian are lookalike twins, separated by a shipwreck. Viola lands in Illyria, where she disguises herself like her brother and goes into the service of the Duke Orsino. Orsino sends her to help him woo the Lady Olivia, who doesn't want the Duke, but finds that she likes the new messenger the Duke's sending. Then, of course, Viola's brother shows up, and merry hell breaks loose. Meanwhile, Olivia's uncle and his cohorts are trying to find some way to get back at Olivia's officious majordomo, Malvolio.

Matthew Bourne choreographs this performance of Tchaikovsky's ballet, filmed live in London. The show, the longest running ballet on both Broadway and the West End, follows the story of Prince Siegfried, who promises his love to swan maiden Odette, only to be tricked by magician Von Rothbart. The stars include Richard Winsor, Dominic North, Nina Goldman, Madelaine Brennan, Steve Kirkham and Joseph Vaughan.

Contemporary dance company Adventures In Motion Pictures' triumphant modern re-interpretation of Swan Lake, with its cast of male swans, has turned tradition upside down and has taken the ballet fraternity by storm. Never has such a contemporary re-working of a traditional ballet thrilled both ardent critics and modern dance enthusiasts in such equal measure. Originally broadcast on the PBS series "Great Performances" (season 26, episode 15).

Director and choreographer Matthew Bourne's radical reworking of Tchaikovsky's Swan Lake. The score remains the same, but the famous corps de ballet is now danced by men.

The Rai National Symphony Orchestra conducted by David Lloyd-Jones performs: Charpentier, Te Deum in D major for soloists, choir, and orchestra, and J.S. Bach, Magnificat in D major for soloists, choir, and orchestra.