Omar Rozik

Inspired by true history, The Assassins chronicles the rise of Hassan al-Sabbah in 11th-century Persia — the enigmatic founder of the Order of Assassins, who forged a cult of absolute loyalty and terrorised rulers across the Islamic world. Starring Karim Abdel Aziz, the series weaves together politics, faith, betrayal and bloodshed in one of the most visually ambitious and widely debated productions in Arab television history.

Based on true events, three women who have suffered various hardships and injustices throughout their lives are driven to carry out various crimes and end up in prison. This marks the start of a new phase for them that differs significantly from what they experienced before.

Youssef, an introverted university professor, tries to live a quiet and secluded life, but the arrival of the student Warda into his world turns everything upside down. while she is trying to mend her relationship with her boyfriend, Noah, Youssef finds himself gradually becoming entangled in their relationship. As illusions intertwine with reality at the heart of a complicated love triangle, feelings he thought had long faded awaken within him.

When her husband, a prominent figure in society, is involved in a scandal, Amira has no choice but to return to her profession to support her two children, after fifteen years she spent as a housewife.

Disagreements between Hind and her husband Farouk escalate and he throws her out of the house. She seeks to obtain a divorce and demands her right to toil and pursuit and to obtain half of his property. A long war begins between them over this, and many parties intervene on both sides.

Assigned to investigate the revengeful murder of an unknown man, Adam begins to uncover the truth through torn photographs he finds at his house.

Hisham finds himself at a crossroads after being laid off from his job in a hotel, due to Corona, and he must find work and take care of his family under difficult circumstances.

Rivalries over power and wealth escalate between two families in the hamlet of Abdul Jabbar, and conflicts flare up between them because of a marriage that takes place between two parties of the two families.

After their friend Ali was killed, Safina and Sareya steal Zahy El Attal's bag, which contains diamonds, and from here begins the conflict between the two friends and Zahy.

In search of her missing son and escaping her turbulent past, Alia poses as a vendor living in a poor neighbourhood.

A mother's journey in search for her son's murderer. The story unfolds between the past, present and even nightmares which gives subtle clues and hints to guide the mother to the murderer.

Through three intertwining tales, the series sheds light on the terrorist acts taking place in the Arab region, especially Egypt, through the stories of the terrorist Ramzy, the police officer Adel who faces off against him, and the broadcaster Tarek Kassab who reports the events to the audience.

A strong boxer enters the world of the ring and fights inside and outside the ring in many conflicts on the level of life, work and social relationships.

The Egyptian courts hear a lot of significant cases, and they handle the facts and motivations of these cases in a thrilling, theatrical setting.

Amr gets involved in a relationship with Buthaina, his partner Amjad's ex-wife, and is forced to marry her secretly and hide the matter from his first wife, Alia. As things develop, Amr finds himself torn between Amjad, Buthaina, and Alia, and he has to make a difficult decision to face what is happening.

It tells the story of the Egyptian national security apparatus's struggle against hidden forces and complex threats affecting the stability of the nation, and gradually reveals networks and alliances that require decisive battles and smart fights in a tense, thrilling, and suspenseful narrative.

Set in a confined world outside time, East of Noon is the fable of prodigy Abdo (19) who uses music to rebel against his elders: showman Shawky (70), an eccentric showman who rules with a mix of performance and fear, and storyteller Jalala (75), who provides relief with stories of the Sea, which no one else has seen. East of Noon is a satire on the inner workings of an ailing autocracy and its inherent vulnerability to youth’s unchained vision of a better world.

A poor boy whose slippers are broken tries to repair them while watching a rich boy continuously cleaning his new and shiny shoes.