Vakhtang Khubutiya

Bridget has no luck with men. All her romances end too quickly. A friend advised her to change her strategy. 'Maybe you You should try someone completely different.' In a bar, she meets Andrei: — awkward, shy and strangely dressed. He's not her type at all. And that is why she invites him to her home. The night turns out to be unexpected: mutual awkwardness gives way to frankness. Andrei and Bridget find what they have been looking for in each other: Have they found what they have been looking for all this time?

Coming back home Max is drawn into the kaleidoscope of events that leads him to the controversial solution.

A mother brings her daughter to a casting session. Standing before strangers, the girl freezes up and can’t say a word. The mother puts pressure on the girl, who remains silent. In a rage, the mother takes Anya out of the room. Afraid of the mother’s anger, Anya will try once again, but now Anya’s horror is even bigger and, bursting into tears, she runs away. While the mother apologizes for the daughter’s behaviour, Anya gets lost in the corridors of the film studio. The mother searches for her, but the girl is nowhere to be found. In despair, the woman runs along a range of corridors, opens door after door...

The editing film poem of Irakli Kvirikadze, inspired by the legendary fates and creative discoveries of Andrei Tarkovsky and his congenial artists of the “Soviet Renaissance”. The film tells about the project of the Museum AZ, presented in the Franco Zeffirelli Foundation in Florence. The project was a visual poetic dedication to Andrei Tarkovsky and his contemporaries - non-conformist artists.