Flora Karimova

The mother-in-law is very different from the mother-in-law of 40 years ago. The modern mother-in-law is the wife of one of the oligarchs. Living a luxurious life, Janan spends her days in massage parlors and shopping. However, like most mothers-in-law, she likes to interfere in her child's choices. So, although her son Fuad wants to marry the daughter of the maid who works in their house, Janan strongly objects, stating that she is not suitable for their family. Fuad, in turn, asks for help from his uncle Shohrat. They meet Ilgar, who presented the fake bride to the mother-in-law in the film 40 years ago. Ilgar introduces the foreign bride Mufita to Janan as the daughter of the king of Atruba. And all the adventures begin from then on.

The film is about the public prosecutor who fought against the criminality but was killed by them.

A girl named Umai got tired of toys, she threw them aside, and then went to bed. And Umai saw a dream in which the offended toys decided to leave her.

After the novel of the same name of Vidadi Babanli. Rashid, a young man, fails the entrance exam to the Institute and started to live by independent life, about people round him.

The works of Azerbaijani composers are performed by M. Magomaev, R. Beyrutov, Z. Khanlarova, O. Agaev, F. Kerimova, P. Bül-Bül-oglu, the vocal quartet "Gaya," and the instrumental quartet conducted by R. Babaev. The concert also features the State Song and Dance Ensemble of the Azerbaijan SSR and ballet artists R. Akhundov and V. Pletnev with a number from K. Karaev's ballet "Seven Beauties."

No description available.

In this play, the barrier between Elchin and Gulnar grows even stronger. The tragic changes in Gulnar’s life lead her to leave her job. Elchin’s wife, Sarvinaz, finally realizes that Elchin is still in love with Gulnar, and therefore decides to separate from him. Now independent, Elchin immediately heads to the railway station to follow Gulnar, who wants to leave the city…

In the film-play, events get tangled as a result of the lovers' miscommunication. Although the dramaturgical contradictions of the work are formed by various attitudes towards folk customs such as engagement and wedding, the play focuses on the contradictions of the characters, not the events.

Elchin's appointment as the deputy director of the institute causes events to be controlled mechanically and by invisible forces, presenting the character of Vasif, who was mentioned only in name in the first part, in a new context. Returning to the institute, Elchin meets Gulnar again, and rumors are intertwined again.

This musical tells the stories of singers in a southern village.