Marek Rozenbaum

A Taliban soldier struggles to survive after he escapes his captors and flees into the Polish countryside.

In 1980, the black Falashas in Ethiopia are recognised as genuine Jews and are secretly carried to Israel. The day before the transport the son of a Jewish mother dies. In his place and with his name (Schlomo) she takes a Christian 9-year-old boy.

28-year-old Motti works as a private home tutor, visiting the homes of a lively host of struggling students, all the while carrying a deep emotional wound, which he will have to mend and find his way back to living life once again.

Zaza is a 31-year old Israeli bachelor, handsome and intelligent, and his family wants to see him married. But tradition dictates that Zaza has to choose a young virgin. She must be beautiful and from a good family, preferably rich. Zaza's parents, Yasha and Lily drag Zaza to meet potential brides and their families. Zaza has no choice. He plays along with his family, advocates of the suffocating traditions of their Georgian Jewish heritage. But Zaza always manages to somehow get out of being engaged. What his parents don't know is that Zaza is already in love. Judith is sensuous, strong and intriguing. She's also a divorcée with a 6-year-old daughter. So Zaza has kept Judith a secret from his family. He will have to choose between respect of the strict confines of family and tradition, or the love of his life.

Tamar, an attractive single mother, lives alone in a small village with her two daughters. Unsatisfied, she attempts to fill her many voids through meaningless sexual rendezvous.

A man and a woman meet eachother in a hotel suite for a day full of fantasy, they are celebrating their 10th wedding anniversary and this is their routine celebration. But this year is different. Through this day secrets, lies, will coming out while they are both living their sexual fantasy.

Or shoulders a lot: she's 17 or 18, a student, works evenings at a restaurant, recycles cans and bottles for cash, and tries to keep her mother Ruthie from returning to streetwalking in Tel Aviv. Ruthie calls Or "my treasure," but Ruthie is a burden. She's just out of hospital, weak, and Or has found her a job as a house cleaner. The call of the quick money on the street is tough for Ruthie to ignore. Or's emotions roil further when the mother of the youth she's in love with comes to the flat to warn her off. With love fading and Ruthie perhaps beyond help, Or's choices narrow.

Composed from the conversations that the director holds with people passing by in the street under his Warsaw apartment, each story in 'The Balcony Movie' is unique and deals with the way we try to cope with life as individuals. All together, they create a self-portrait of contemporary human life, and the passers-by present a composite picture of today's world.

Anne, a Parisian, visits her friend Yola in Tel Aviv, where Yola lives with her husband Avi and their son. There's tension in the air and the attraction between the two women is palpable. Flash back five years to their meeting, on a train to Jerusalem. Yola invites Anne to stay at her hotel, and over the next five days, their friendship builds from talk about their lives to an explosive menage a trois when Avi joins them on fourth day. Back in the present, can Yola have both Avi and Anne, or are the women futilely chasing rainbows?

The year is 1999 and the storyline is actually a number of sub-plots all revolving around the 13-year old Clara, a girl that can predict the future and has telekinetic powers. The sub-plots include a boy in her class who has a crush on her, his family, her family and her principal that keeps talking French for some strange reason.

The story takes place in Haifa, Israel, in 1979, during three days before the Shabbat. A young woman trying to raise three children, work from home, and observe the strict Moroccan traditions of her family finds herself at constant odds with her husband and her brothers, who want her to stay married and leave behind the notions of being loved and free.

Ovadia Rachmim is the strongest and most violent doorman of Tel Aviv night clubs. He and his wife Rachel are trying to get pregnant for 5 years. A small time gangster named Shalom, offers Ovadia a job, to be a debts collector, offering him a lot of money. Ovadia sees this as great opportunity to start an expensive private treatment for his wife. As soon as Rachel gets pregnant, he decides to stop working for Shalom. Shalom wants him for the most important mission. The mission in which Ovadia has to betray all his best friends. Now it's the time to pay the price of becoming a father.

Debbie, a young belly dancer, her dangerous yet charming lover, a criminal, and a dance club owner tell the story about love and crimes, friendship and betrayal.

Little Benjamin and Margalit are raised in the boondocks of Israel by their long-suffering mother, but they have in them something of their father, who can't stay in a place with no prospect of riches and excitement.

A young IDF soldier critically injured during a Gaza military operation clings to life while his family maintains a bedside vigil. During the long wait, family, friends, doctors, and therapists struggle to temper expectations and cope with the strain of the situation that sees moments of heartbreak, humor, and hope.

Two interconnected stories in the 1930s, one set in Berlin, the other in Palestine: Mania Vilbouchevich Shohat (1880-1961), called Tania, a Russian Jew and revolutionary, goes from Minsk to Palestine to live on a collective. She promotes feminism and laments a shift in the men from self-defense to aggression. Her friend, Else Lasker-Schuler (1869 - 1945), expressionist poet and German Jew, is in Berlin, writing, caring for her son, watching Hitler's movement take power. She goes to Jerusalem and imagines a park for Arab and Jew. Her poems, voiced from within, capture her experience. The film meditates on the violence at the root of Israel's birth: of the Nazis and of the Zionists.

When Yoel hears about an imminent Iranian military attack on Tel Aviv, he knows what to do - escape with his family to a safe haven in Jerusalem. His son Assaf, who is a filmmaker and about to become a father himself, wants to give Yoel one last lead role in his movie by melting the fictional world into bittersweet reality.

Vasermil tells the story of three teenagers who live in the same tough neighborhood, growing up in an unforgiving environment, pinning their hopes on football as a way out. Shlomi lives with his widowed mother, little sister, and step-father and works as a pizza delivery boy. Adiel, of Ethiopian descent, has to look after his young brother and sick mother. Dima, a new immigrant from Russia, has a father who is unemployed and a mother who works as a cleaning lady. The three teens are recruited by the coach of the local football team. Learning to work together as a team is the key to success in the tournament and success in the tournament means getting noticed by the scouts of the local football empire. In order to win the tournament they will have to play as a team, overcome their differences, get over their sense of inferiority and prejudice.

After winning the best film award at the Cannes Film Festival, the legendary film producer - Yonatan Harel, is facing bankruptcy due to a chain of anomalies in the film budgets and investors who withdrew their investment due to the Corona virus. Jonathan tries to survive and save his life, with the help of his lawyer and close friend. On the occasion of winning the Cannes Orit festival, his wife throws him a surprise party and invites the entire film industry, and the professionals he worked with: Gadi Harush, the legendary actor and borderline personality, and the stars of his winning film, Eli Gold and Dafna. Jonathan decides to monitor the entire house with cameras and what he discovers will be beyond his wildest imagination.

A fantasy about a daughter’s yearning for her mother’s warmth and comfort, which turns into a nightmare about harsh reality of a group of homeless quarry workers. Masha arrives at the quarry with a heavy heart, burdened by a secret she hasn’t told anyone about. She wants to speak with her mother, Vera, but she has struggles of her own. A young woman finds herself in a deafening masculine environment where no one's listening. A journey to save herself quickly blurs into a venture to save her own mother. Ants crawling on the walls of the house, childhood photos and Russian food, are the harsh reality of one woman, and a comforting memory for the other.