Directing
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The soul of the Innu language is embodied in the territory, the water and the forest, witnesses to the rapid disappearance of the caribou. Florent Vollant’s music continues to carry this language throughout the world.
In New France before the British Conquest, Marie, an indigenous slave, serves the local surgeon. Her daily life of household chores is bleak and alienating. The encounter with a young girl she presumes to be her child will give her motivation to undertake radical actions.
Siméon Malec, host on Pakueshikan FM radio, receives Marie-Soleil Bellefleur on the air to discuss new regulations concerning salmon nets. To their great dismay, the duo is constantly interrupted by increasingly worrying calls... It seems that a lion has been seen in the community!
The origins and evolution of the Innu Nikamu Music and Aboriginal Arts Festival are intimately linked to the territorial roots of the Innu people and to the life of the Maliotenam Reserve community. For centuries past the Innu had followed a seasonal migration cycle, wintering in the northern territories for the caribou hunt and returning every summer to the north shore of the St-Lawrence. Festivities, meetings, traditional games and weddings marked the latter period, and the Festival has become the modern day reincarnation of the ancient summer celebration.
