Wojciech Starostecki

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The Ten Commandments, exact and uncompromising, literally cast in stone, continues to provide a source of moral conflict in contemporary society. In the ten part epic masterpiece, The Decalogue, Krzysztof Kieslowski examines the dilemma of fundamental sin in the lives of ordinary Warsaw citizens.

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Zenia is an industrious Ukrainian migrant worker in Poland who makes house calls as a masseur to the needy and aspirational residents of a middle-class gated community near Warsaw. He is privy to all of their problems, anxieties and secrets – and something of an unwitting guru figure. Zenia’s grounded spirituality, apparent healing powers and broad shoulders make him an object of lust for many of the lost souls in the community.

Zofia, a professor of ethics, is visited by Elżbieta, an American researching the fate of Jews who survived World War II. A daytime classroom conversation turns into a night of confrontation, and Zofia is forced to answer for a decision she made decades ago that directly affected the course of Elżbieta’s life.

The story of two very close lesbian friends: Małgosia and Mariola. One day, Małgosia learns that she is terminally ill. Together with her friend, she goes to a sanctuary famous for miracles. Along the way, they see the figures of the seven deadly sins and a number of characters from the New and Old Testaments. As the plot unfolds, the viewer learns that the whole journey is not real, but takes place only in the imagination, the inner space of the characters.

Jurek, a medical student and notorious womanizer, spends the night with Anka, a carefree and spirited girl who does not want to continue the relationship. The couple meets again after a few months. Jurek is forced to look for a place to live. He finds an offer for a room for a medical student in exchange for caring for a sick person. Together with the girl, Monika, they go to the address provided. It turns out that the sick person is Anka. She had an accident while horseback riding and is now in a wheelchair. After some hesitation, she agrees to let Jurek take care of her.

A surreal collage of interrelated threads revolving around history of thirty-year-old Kuba who, with his parents' encouragement, decides to take his first job. Though none too convinced, he starts work as a delivery man. Having set out on his first delivery soon after he witnesses a traffic accident. He ends up giving a statement at the police station. And his plans begin to unravel. By a twist of fate Kuba has no idea about the significance of the part he will have to play on this particular day.

Zygmunt Latawczyc - a graduate of the Academy of Fine Arts in Poznań - is, as he himself says, "a naturalist painter". As such, he cannot paint from television, photos, scans, the Internet - only "exclusively from nature". That is why most of Latawczyc's money is spent on models. An additional circumstance is that Zygmunt - "never dreams of anything". When Zygmunt meets the beautiful model Zuzanna, he quickly comes to the conclusion that he should necessarily paint her with a parrot on his shoulder. The parrot (Ara Ararauna) selected for this purpose costs PLN 6,000.

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