Alexey Telnov

Shy and sometimes naive schoolboy Sashka lives with his grandmother and confides his secrets to a smart speaker because he has no friends. But Sashka has a special power - faith in miracles, thanks to which he gets into a whirlpool of extraordinary events. In the company of a witty genie from a jug and a smart speaker that has come to life, Alisa, Sashka sets off on a dangerous journey across half the world to find his parents, who after a sandstorm in Uzbekistan ended up in a magical city, captive to Shah Zaman. Sashka and company will face the machinations of the evil sorcerer Yusuf, battles on flying carpets, hot air balloon trips, chases across endless steppes, crossing the desert and meeting people who are ready to help the boy find his family again.

Childless spouses writer Andrei and artist Olga adopt the eight-year-old Ksyusha. The director of the orphanage where the girl was brought up is Andrei Iren's ex-girlfriend. She still passionately loves Andrei and intends to return him at all costs, even if for this he will have to destroy his family happiness. Meanwhile, Andrei is writing a science fiction novel about the dark side of Petersburg. On the pages of his book, the city on the Neva turns into a phantasmagoric world, where time itself has stopped, and the streets are inhabited by soulless creatures. Suddenly, Ksenia enters the world of "dark Petersburg" from the novel by Andrey, where he meets a mysterious friend Paramon. Heroes are waiting for many dangerous adventures...

Robbers in shamanic masks attack the convoy and steal 40 pounds of gold. The St. Petersburg gold miner accuses the nomadic Tungus tribe, recruits a detachment of thugs to return the stolen goods and take revenge, but not only he has prospects for gold.

The picture tells about the feat of Russian scientists who are sent to Svalbard as part of the Russian-Swedish expedition in order to measure the actual size and shape of the globe.

The film is about the life and death of the outstanding playwright Alexander Vampilov. Life and death, which reflected the era. The two most important meanings are connected in this story. The fate of a simple provincial man who chooses the path of the artist and the love of their native places.

A story about Konstantin Sergeievich Stanislavski, a twentieth-century theatre genius. Owing to his powerful extraordinary talent he managed to stay a true artist and a free spirit within the harsh Soviet system. In the film contemporary theater and film directors (Kirill Serebrennikov, Katie Mitchell, Lev Dodin and others) show how Stanislavski's method affects their everyday work. Each of the directors finds his or her own reflection in the mirror of his genius. In search of an answer to the question whether modern theatre really needs Stanislavski they discover that art lacks its most essential part – the human being.

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Definitively proving that all the "B" Science Fiction of the 1950s and 1960s do not hold a candle to the 'real thing,' Pavel Medvedev's surreal 45 minute documentary Ascension is certainly one to look for. Composed entirely out of archival footage, much of it from the Soviet science and space archives, delicately scored and building to an undeniable mood of surreal (perhaps even ominous) energy, it charts (and re-purposed) the progress of man into to the unknown area of space exploration with a flair for creating art out film that was shot by scientists and engineers as a mundane record.

Anna Azov is one of the most colorful and mysterious persons in the Russian MMA. At home she is a gentle mother, in the ring she is a hard, uncompromising coach of her sons. For battle as she prepares to secular Raut - selects the dress, the hair.Before going out son, here comes mom, she dances awesome Cossack sabre dance. The whole course of the match written on her face, Anna is going through doubly as a mom and as a coach.

Retired border guard Sergei Markov, searching for his missing daughter, returns to the border where he served in his youth. To get his daughter back, he must unravel a tangled web of questions and confront the ghosts of the past: crime, revenge, and his own mistakes, which can only be corrected by returning to the beginning—the mountains.

Year 2017 would be the 100th Anniversary of the revolution in Russia. Film researches the reasons of the “Russian revolution”, First World War, external and internal conspiracies, which led to the collapse of the monarchy and traditional world order. Narration is build of quotes, memoirs and inferences of eyewitnesses. The facts are told based on the views of the authors of the film.

1960. The USSR starts humanitarian aid programs based on Marxist ideology in several newly independent African countries. For more than 35 years the Soviets expand their influence in Africa. Soviet filmmakers are sent along to document the glorious advance of socialism on the entire continent. After the fall of the Soviet empire Russia lost political interest in Africa, but thousands of kilometers of footage shot on African soil remain. With the help of filmmakers from back then, OUR AFRICA will recreate the time of the “Great Utopia” and expose the mechanisms behind the creation of propaganda films.

A film about the Doukhobor community that has lived in the village of Gorelovka in the Republic of Georgia since the 19th century. The few Russians who remained there live in their own closed world of rituals, prayers, and psalms.

The main character of the film is DJ Morze, a philologist by training, the creator and ideological inspirer of the OBERWAVE project - a community and a series of parties dedicated to sensual neo-decadent music and the aesthetics of a feast during the plague.

The poet Roald Mandelstam lived in postwar Leningrad. He was seriously ill from childhood, rarely left his house, and knew his life would be short. His visitors included the composer Isaac Schwartz and a painters that would come to be known as the "Arafiev circle," a group of independent artists working outside of official oversight. After 50 years, a fresco was discovered under the wallpaper in his communal apartment...

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The film crew goes to the small town of Arvai on the edge of the Gobi Desert. In 1986, there was a Soviet military base here. And very close to this base, on the mountain, the military laid out the date from slate. It can still be seen on the map…

Film-portrait of documentary filmmaker, photographer and screenwriter Sergei Skvortsov. Sergei Skvortsov was a filmmaker and cameraman at the Leningrad (St. Petersburg) Documentary Film Studio, who shot a number of iconic works that had a noticeable impact on documentary filmmakers in the late 80s - 90s.

A portrait and self-portrait of the former TV journalist Vyacheslav Nemyshev, who reported on the Chechnyan war in 2001 and now leads a reclusive life on an island.

A brilliant observational documentary filmed at the Civil Registry office in St. Petersburg, where people come to have births, marriages, divorces and deaths registered. 'It’s like a theatre here', one says in the beginning of the film, and it indeed is, the Theater of Life. The young women working in the office have a job that shifts from being verbally attacked and called idiots, to situations where they are subject to flirt, or where they master the happy ceremony of marriage. Faces, joy, sorrow, fun, despair... It’s all very well composed, rhythmical, with atmosphere conveyed, and lives up to what a documentary should be: multilayered and universal. And about Life.