Markus Johansson

After serving fourteen years for robbery, Anker is released from prison and reunites with his mentally ill brother Manfred, who alone knows where the stolen money is hidden but has forgotten its location, sending them on a journey to recover the loot and confront who they are.

In 2008, a group of men from Denmark and across Europe pull off the biggest heist of all time on Danish soil. Kasper, a boxer with few chances left in life, is offered the opportunity to plan the robbery by its foreign initiators.

The girlfriend Klara has recently fallen in love and wants nothing more than to hang out with her boyfriend. The mother-of-two Anna clocks how long it takes for her husband to cook baby formula. The ex-wife Vera can't let go of her ex-husband. The feature-film debuting Katja Wik presents a squib right on the money about women's tendency to, both consciously and unconsciously, limit themselves in their close relationships of two. Each frame conveys the film's theme of power manipulation and Katja Wik's neologism "victim-mentality rhetoric" (offerrollsretorik) is used by all parties as an effective weapon. Without stagnating in bitterness, The Ex-wife serves as a funhouse mirror reflecting this disturbing trait, which most of us can recognize, but which few dare to acknowledge

Two middle-aged couples arrive at Noah's marriage counselor, who runs a country house. The couples have come to get help but it turns out that Noah has planned the meeting to reveal a secret, which will have major consequences.

A young girl follows her parents to a party where she experiences assorted grown-up rituals. As the evening progresses she finds the adults' behavior increasingly strange. Everyone tries to fit in, but not everyone succeeds.

No description available.

Connected and updated since birth, the longing for secluded alone time begins to approach a critical point. Olive goes to a clinic for help, but in this black comedy with a cosmic outlook, the breakdown is inexorably approaching.