Lea Petříková

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A film journey through places near and far, real and dreamy, on the border between reality and fiction, where it is possible to learn how close the realm of the invisible lies and to contemplate whether it is possible to approach the invisible through film. Guides on this journey are various explorers who present their elusive experiences with researching and capturing imprints of the invisible – former filmmakers, a forgotten film movement, a local history expert, a mountaineer, a professor, and the director, Lea Petříková, herself. But the more they reveal, the more complicated it gets.

A chapter from the cycle of experimental films called If I Ever Lose My Eyes follows representatives of the Movement of Linen Film. Ladislav Valeš sees the film media as the Shroud of Turin which imprints not only the surface, but also what extends beyond us. In the same way, the author of the film imprints Valeš’s face and figure into the black-white countryside surrounding Klapý. The shapes of the bridge and gravestones represent the architectonic morphology of human mind, which merges reality and fiction, consciousness and subconsciousness.

A meditation on perspective, shapes and landscape.

French-Mexican surrealist artist Alice Rahon made her only film - The Wizard - in 1947, which was lost before its first release. From this came a dream of a never-before-seen work, an encounter with a person who is unjustly forgotten, and an excursion to the landscapes of image, sound and imagination.