Martin Semenčić

Days of Madness portray an incredible odyssey of two mentally diverse and unjustly rejected people who are learning to accept it, faced with the blindness of the society and the health system that made them addicts.

Mr. & Mrs. Lovett live out their (sex) lives in full public view in front of a permanently connected webcam, which frames their spartan living room like a human aquarium. This is all we see of their lives - but it's not so little after all. The young couple are driven business people, and they flirt, strip and screw for the benefit of the camera and the customers on the receiving end. The Croatian filmmaker Igor Bezinovic has created a surreal and funny take on a piece of avant-garde 'adult entertainment' from one of the internet's seedy corners. But he also documents a performance culture, which dissolves the boundaries between the private and public spheres and a parallel economy of images. A hedonistic and thoroughly commercialised culture, where supply and demand have taken on an entirely new and absurd meaning.

Just like any other 13-year-old, Antun is irritated by his younger brother.

On Shaky Ground is a short film that deals with the issue of a breaking family, after the father falls into a serious depression because of the financial moves he had previously kept secret.

Istrian traditions, singing, culinary delights. All that in the time-honoured ritual of pig slaughter or prašćina. What is the importance of meat today and can we give up its utilitarian rudimentarity in the face of political, ecological, nutritionist, and other contemporary trends?

Boris and Kira’s friendship is put to a test, when Boris, influenced by his grandmother, starts suspecting that his friend is a representation of the Devil. This will make him doubt her goodness, until Kira reveals to him the sorrowful truth about her life.

Željka’s younger sister Silvija begs her to let her spend the night, because their mom has just read her shameless blog and she doesn't want to go back home. The next morning, Željka takes Silvija and her best friend Danica to a TV studio where she works as a make-up artist. While getting ready to return home and face their mom, the two sisters exchange some pearls of wisdom about life.

Among the garbage heaps of a big landfill on a Croatian island, Zoki uncovers a microcassette. A close study of the discarded object serves as a tribute to chance and imagination.

Zeljko is the labour union leader at Gredelj Train Factory. His deputy, Mladen, has committed suicide after massive public protests and inter-union clashes. Zeljko is torn between the guilt he feels over Mladen’s death and workers’ expectations that he will lead a strike that should thwart a plan by the government, acting on the EU’s behest, to declare the factory bankrupt. WHAT’S TO BE DONE? is structured in three acts. The first act uses observational documentary footage; the second, footage filmed a decade later; while the third is fiction.

Following the river flowing through the centre of Sisak, the film creates a portrait of a former industrial city. The river today is a space for leisure and relaxation. However, when we examine the people that live and spend time there, the social conflicts of the transition break out onto the surface. The river reveals the remains of past that were left in the water.

This is a story of an apartment building renovation that becomes a metaphor for the society. Vitić Dances uncovers the purpose and the futility of giving yourself for the greater good. It is a film about us, those around us, and the spaces in between.

The dog Hux Flux is diagnosed with cancer. His vet found herself in the middle of intimate home atmosphere with his owners, friends and other pets in their household at this critical life period. The vet made this film.

How do we speak about the horror with which we are faced but cannot come to terms with? The classmates have gathered for their fifteenth high-school reunion, reminiscing about their adolescent adventures. As the evening progresses, different dinner courses and drinks are brought out and the conversations become more open, yet there is one topic that everyone avoids, until alcohol encourages them to mention the shocking letter they have all received. The letter is a torturous confession from one of their former classmates, in which she reveals the brutal abuse she endured as a child and during high school.

Sandra is an overly sensitive young woman who, when under pressure, has trouble with deciphering the line between reality and her twisted fantasies. During her husband's birthday party, she has to spend a day with his family. Their barely concealed hostility is making her gradually lose her mind.