Jan Klemsche

A Chilean woman, Teresa, comes into a firmly structured and isolated mountain community of Croatian shepherds in the early 20th century, claiming to be the widow of their émigré brother. Her arrival changes the dynamics between the members of the community and brings unrest, but also inspiration for other women.

Nikola, 34, is a commercial director, he’s about to become a father for the first time, and he dreams of one day taking his young family on a road trip in an old van he wants to convert into a camper. Over the course of one weekend, however, accompanying his father and extended family to a small village in Dalmatia, where his grandmother’s remains are to be buried, he finds himself looking to the past instead of the future. Ostensibly, nothing remarkable happens during the course of the journey.

Summer fruits are refreshing but high temperatures can make them go bad.

Mr. & Mrs. Lovett live out their (sex) lives in full public view in front of a permanently connected webcam, which frames their spartan living room like a human aquarium. This is all we see of their lives - but it's not so little after all. The young couple are driven business people, and they flirt, strip and screw for the benefit of the camera and the customers on the receiving end. The Croatian filmmaker Igor Bezinovic has created a surreal and funny take on a piece of avant-garde 'adult entertainment' from one of the internet's seedy corners. But he also documents a performance culture, which dissolves the boundaries between the private and public spheres and a parallel economy of images. A hedonistic and thoroughly commercialised culture, where supply and demand have taken on an entirely new and absurd meaning.

Marijana's life revolves around her family, whether she likes it or not. They live on top of one another in a tiny apartment, driving one another crazy. Then her controlling father has a stroke and is left completely bedridden, and Marijana takes his place as head of the clan. Soon, she is working two jobs to keep everything afloat, while her mother and disabled brother do their best to scupper the ship. Driven to the edge, Marijana finds comfort in seedy sex with random strangers; and this taste of freedom leaves her wanting more. But now that she has finally found freedom, what's she meant to do with it?

Two teenagers protesting political repression must flee, taking with them only their love and a dog.

Just like any other 13-year-old, Antun is irritated by his younger brother.

Tina and her cousin Max cannot stand their Grandma's bad soup, scorching summer heat and utmost boredom any more. Both of them wish they were somewhere else, with some other people. Unfortunately, they only have each other.

The film is set in a Serbian prison, in the love rooms, where prisoners are allowed to have intimate relations with their married and extramarital partners, who come to visit them.

Following the river flowing through the centre of Sisak, the film creates a portrait of a former industrial city. The river today is a space for leisure and relaxation. However, when we examine the people that live and spend time there, the social conflicts of the transition break out onto the surface. The river reveals the remains of past that were left in the water.

Every year, over 35,000 students from elementary schools across Croatia visit the city of Vukovar as part of the Memorial Center of the Homeland War program. The film follows an eighth-grade class on this trip, documenting their entire journey, from departure to their return home.

Sandra is an overly sensitive young woman who, when under pressure, has trouble with deciphering the line between reality and her twisted fantasies. During her husband's birthday party, she has to spend a day with his family. Their barely concealed hostility is making her gradually lose her mind.

Somebody’s car is on fire. Somebody’s head got kicked in. Somebody got their mobile stolen. Will the troublesome adolescent break the vicious cycle of violence he may or may not have started himself?

Sara is a young mother who has several weeks of hospitalization left, slow routines and everyday struggles ahead of her, and the film follows her long day in the psychiatric yard.