Acting
A nurse is framed for medical malpractice. In prison she meets the boss of their cell who is in for a crime of passion. They both have a reason to escape... revenge.
In the shady black markets and bombed-out hovels of post–World War II Tokyo, a tough band of prostitutes eke out a dog-eat-dog existence, maintaining tenuous friendships and a semblance of order in a world of chaos. But when a renegade ex-soldier stumbles into their midst, lusts and loyalties clash, with tragic results. With Gate of Flesh, visionary director Seijun Suzuki delivers a whirlwind of social critique and pulp drama, shot through with brilliant colors and raw emotions.
Newly out of prison after killing his boss' rival, Akio Maki is eager to move on and start a new life with the boss' daughter. However, the chains of the past are not so easily broken and Maki is soon ordered to kill again.
1967 Nikkatsu film.
Goro had grown up in the yakuza world. As an active member of the Mizuhara family crime syndicate, he expressed his loyalty by always putting himself in the forefront of every battle. Violence never bothered him. However, after being sentenced to three years in prison for stabbing a rival gang’s hit man, he becomes disenchanted with the Yakuza life style. Goro is determined to start anew, but karma catches up. His two closest friends are murdered by his ex-boss. He is left with two options: to kill or be killed.
1962 Japanese movie
No description available.
Hanayome wa Jūgo-sai, directed by Mio Ezaki and distributed by Nikkatsu, stars Masako Izumi and Ken Yamauchi. The high-key pink background and casual photographic portrait embody Nikkatsu’s 1960s youth-film aesthetic. Clean, hopeful, and pop-oriented. The large white title, handwritten for a softer impression, injects playful energy that contrasts with the strict vertical text blocks. As Japan’s youth culture blossomed after the 1964 Tokyo Olympics, posters like this captured the spirit of romance and rebellion marketed to teenage audiences. The vivid color palette and carefree composition signal a stylistic shift from postwar black-and-white melodrama to the vibrant optimism of modern Technicolor cinema.
Joe, Okita, and Serizawa hear of the armed robbery of a truck carrying one billion eighty million yen's worth of Mint paper. Knowing that the thugs will now need a counterfeiter to make the bogus bills, they each decide to cash in on it by selling them the idea that they need Sakamoto, the best counterfeiter in Japan. A seesaw game unfolds between the three men as each tries to outdo the other two in handing over Sakamoto for one million yen to Hijikata, the big boss, who intends to make counterfeit money with the stolen paper. A little belatedly, they realize it needs their combined forces to outwit Hijikata and they raid his place together. Outnumbered, however, they are thrown into a basement room and the gas is turned on. Certain death stares them in the face, but the three men are not ones to take things lying down....
Akira, a young, jazz-obsessed drifter, returns to his squat, a ruined church, and finds Gill, a wounded African-American GI, on the run after the death of a white GI. Despite terrible misunderstandings and culture clash, Akira agrees to help Gill escape towards the sea, dodging military police along the way.
One day, Yumiko, an office worker, is called in by the managing director. Having been holding in her urge to urinate, she is ordered by the managing director to relieve herself in front of him, and embarrassed, she urinates into a vase. Later, when section chief Suzuki invites Yumiko on a drive, he takes her virginity that same day, awakening her to the pleasures of sex.
A 1971 crime film
When a mysterious stranger muscles into two rival yakuza gangs, Tokyo's underworld explodes with violence.
Several high-school friends spend their final summer together indulging in sex and leisure; their halcyon days are soon coming to an end.
In the city of Yokosuka, Kinta and his lover Haruko, both involved with yakuza, brave the post-occupation period with a goal to be together.
After botching his latest assignment, a third-ranked Japanese hit man becomes the target of another assassin.
One day, Hara Nobuo witnessed his father assaulting Tokiko, whom he loved as a surrogate mother. Tokiko then committed suicide. As Nobuo grew up, he was still burdened with this horrible trauma and became sexually impotent. His friend Junichi tried to cure Nobuo's impotence. Then one day, Nobuo rescued Sachiko from being about to being attacked in a park. Since then, the two were rapidly drawn to each other...
Strife between competing lumber mills.
Tajima is a private detective in charge of his own company, Detective Bureau 2-3. When warring criminal gangs go overboard by robbing U.S. military munitions, Tajima steps in to stop what the cops can't.
