Production
A documentary on Venezuelan filmmaker Margot Benacerraf, who won the Cannes International Critics Prize with her movie Araya in 1959.
Like every day, Maria sells lottery tickets at the same traffic light in Caracas. Life there is precarious and difficult, and everyone survives as best they can. One day, Maikel, a young local delinquent, approaches her on his motorcycle and tries to start a conversation. Despite her reluctance, Maikel returns to see her every day.
Caro travels to Venezuela to sell her late father’s cacao plantation, only to find the family mansion occupied by its former staff, who are determined to remain at all costs. As Caro takes justice into her own hands to claim the inheritance she believes is hers, she sets off a struggle that unearths the violence buried in the land and its memory.
Three women await the transport to travel the only place in the planet where they are allowed screaming.
A personal portrait of the director’s grandfather Opa, and his wife's grandfather Ababo, who remained in Venezuela after most of their family emigrated due to the economic crisis and violence in the country.