Vanja Sandell Billström

Eini grows up isolated from society with her father who does everything he can to make Eini believe that the world outside and the people out there are evil, and that all that has to do with sexuality and adulthood is dangerous.

Despondent over his lovelife, Swedish director Patrik Eriksson decides to chronicle his existential crisis, with the aid of co-workers, via cell-phone video camera.

Member of a neo-Nazi gang, her day job is to take care of four crazy old people that all are just waiting to die. Her life becomes a journey into a burlesque fairytale, where the rules of the game are created by Mette herself. Mette is indifferent about her way of life, until she one night assaults a man, kicking him senseless. Waking up the day after, she realizes that something is wrong.

Scenes of people in motion. Some are working, others spend their leisure time. The sound of airplanes and subways reminds us of the city behind the piece of created nature.

A short film that shows a meeting between two men that focuses more on the state of their situation than the story.

A man in a squash hall, two nurses conversing through the tunnels, a couple of guys playing guitar, and in the nail salon, a Ukrainian woman talks about the situation in her homeland. In a visually impactful film, these scenes are juxtaposed, raising questions about context.