Nader Saeivar

Iranian director Jafar Panahi, who has been barred from leaving the country, arrives at a village on the Iran-Turkey border to supervise a film based on a real-life couple seeking passports to Europe being shot in Turkey, but both his stay and the production run into trouble.

Filmmaker Jafar Panahi and actor Behnaz Jafari travel to a tiny village after receiving a plea for help from a girl whose family has forbidden her from studying acting. Amusing encounters abound, but they soon discover that the local hospitality is rivaled by the desire to protect old traditions.

In Iran, the retired dance teacher Tarlan witnesses her friend Rana's murder by her husband, who is an important government figure. When the police refuse to investigate, Tarlan must decide whether to bow to political pressure or risk her reputation and livelihood in pursuit of justice.

Jafar Panahi sets out to find a Kurdish young woman with a golden voice that has been forbidden to sing by her family.

In an ordinary Iranian town, two mysterious strangers in a car begin to park daily at the same spot for hours. This unusual occurrence causes paranoia among the locals, who suspect them to be national security.

A portrait of the Panahi family's matriarch as the pandemic makes it more difficult for intergenerational connection.

Ayaz is an ordinary man who wishes for his own home. His brother-in-law left Iran for a long time due to his anti-government activities, but the news of his possible return reaches Ayaz. Concerned that he might have to leave home if his brother-in-law returns, Ayaz tells a small lie—that the secret police have searched their home. Ayaz’s lie becomes an excuse for the real secret police to track down his brother-in-law, and Ayaz finds himself in a situation where he is forced to report his neighbors and family.