Anne Lewis Johnson

Since its 1988 premiere, this critically acclaimed documentary series has presented hundreds of films that put a human face on contemporary social issues by relating a compelling story in an intimate fashion. "POV" has won virtually every major film and broadcasting award available, including 38 Emmys, 22 Peabody Awards and three Oscars.

This film documents the coal miners' strike against the Brookside Mine of the Eastover Mining Company in Harlan County, Kentucky in June, 1973. Eastover's refusal to sign a contract (when the miners joined with the United Mine Workers of America) led to the strike, which lasted more than a year and included violent battles between gun-toting company thugs/scabs and the picketing miners and their supportive women-folk. Director Barbara Kopple puts the strike into perspective by giving us some background on the historical plight of the miners and some history of the UMWA. Preserved by the Academy Film Archive in partnership with New York Women in Film & Television in 2004.

Anne Braden: Southern Patriot is a first person documentary about the extraordinary life of this American civil rights leader. Braden was hailed by Dr. Martin Luther King Jr. in his 1963 Letter from Birmingham Jail as a white southerner whose rejection of her segregationist upbringing was eloquent and prophetic. Ostracized as a red in the 1950s, she fought for an inclusive movement community and mentored three generations of social justice advocates. Braden’s story explores not only the dangers of racism and political repression but also the power of a woman’s life spent in commitment to social justice.

This film demonstrates how labor law has crippled the collective bargaining power of unions and weighed the scales of justice against working people. The documentary follows the 1988 United Mine Workers strike against the Pittston Coal Company that followed the expiration of their contract and Pittston's termination of the medical benefits of 1,500 pensioners, widows, and disabled miners.

DFW Punk, covering the Dallas/Ft. Worth punk/new wave scene. If you thought Texas in the late ’70s was all about urban cowboys, country tunes and bible-thumping, get ready to be proved dead wrong. 2007, MiniDV.

An inside look at the lives of women who fry chicken, make pizzas, and flip burgers at four fast food restaurants in eastern Kentucky. Documents the low-wage, no-benefits jobs in America’s new service economy.

A West Virginia community is deeply divided over potentially life and death questions over a local chemical plant that fuels the area's fragile economy.

A native of Eastern Kentucky, Belinda Mason was, as she says,“a small town journalist, a young mother, a reliable Tupperware party guest” until she became infected with the HIV virus in 1987. She decided to go public with her condition and spent the rest of her life as a powerful advocate for AIDS prevention, education, treatment, and human rights. The film features Belinda talking about her own experiences dealing with AIDS and the support she found within her rural community, and includes a presentation she made with her pastor to members of the Southern Baptist Convention: “People ask me if I think AIDS is a punishment from God. I can’t pretend to fathom what God is thinking, but maybe we should look at AIDS as a test, not for the people who are infected, but for the rest of us.” Funny, down to earth, and never self-pitying, Belinda speaks with a moving eloquence of our need for a collective response to AIDS that is not crippled by racism, homophobia, fear or ignorance.

An experimental documentary based in the telling of two events: the San Antonio pecan shellers’ strike of 1938 and the Jobs with Justice march led by Nacogdoches cafeteria workers, groundskeepers, and housekeepers in 1987.

After a violent episode on Memorial Day, Jim was placed in memory care. 11 weeks later he died. This short film, made in partnership with Chilean animators Sebastián Bisbal and Natalie Johns, explores the contradiction between for-profit institutions and the deep humanity of care workers and residents. The piece ends in healing as the truth of observation changes understanding.