Alessandro Monnerat

Arnold, an unemployed middle-aged mouse, confides to his wife Maria that he suspects his entire world is nothing more than a set, and his life a scripted performance. When his best friend Ramiro dies under mysterious circumstances, he traces the conspiracy to a monolithic corporation whose influence reaches every corner of their daily lives.

A woman with weird superpowers, a turtle with obsessive-compulsive disorder and a cloud with rain incontinence on an unusual journey to the depths of the ocean.

María narrates in first person her mother Adela's journey from Asturias to Havana in 1929. On this trip, she follows her sister Segunda, who had left years earlier and to whom she was very close. Adela, like her sister, grew up cleaning and washing clothes in the prao, a field that was always covered in snow, causing her constant ovarian pain in the cold. Painful and heavy periods are a heavy burden, but thanks to sisterhood and understanding, Adela will gain the confidence to take control of her life at the end of her journey. The story María tells us is a story of migration, one that has always existed and will continue to exist. It is also a cycle—one that repeats itself in many lives—but one that has only one meaning: it is a cycle of departure.

Yuri, Lili and Matt get ready for a very special day. But their dreams go down the drain when they discover that the parents have changed their plans and are now going to the same summer camp together, with several children they have seen.

No description available.

Calango Lengo, from the northeast, has to fulfill his destiny, without having anything to put on his plate. In drought there is no other luck: to live fleeing death, as the mouse flees from the cat.

The unlikely – yet authentic – story of the dwarf who became a giant.

The repulsive, the ignoble and the deplorable. The bloodthirsty, the despicable and the humiliating. Peas, dinners and monkeys.