Amy C. Halpern

Val McKee and Earl Bassett are in a fight for their lives when they discover that their desolate town has been infested with gigantic, man-eating creatures that live below the ground.

Jaime Escalante is a mathematics teacher in a school in a hispanic neighbourhood. Convinced that his students have potential, he adopts unconventional teaching methods to try and turn gang members and no-hopers into some of the country's top algebra and calculus students.

Jack Spade returns from the army in his old ghetto neighbourhood when his brother, June Bug, dies. Jack declares war on Mr. Big, powerful local crimelord. His army is led by John Slade, his childhood idol who used to fight bad guys in the 70s.

Originally released in Japan as "The Return of Godzilla" in 1984, this is the heavily re-edited, re-titled "Godzilla 1985". Adding in new footage of Raymond Burr, this 16th Godzilla film ignores all previous sequels and serves as a direct follow-up to the 1956 "Godzilla King of the Monsters", which also featured scenes with Burr edited into 1954's "Godzilla". This film restores the darker tone of the original, as we witness the nuclear destruction of giant lizard terrorizing Japan.

Two carnies (Sewell and Gugino) abduct a mermaid in Ireland, circa 1900, and decide to transport her to America. As their ship loses its way and heads towards the mythical Forbidden Islands, the mermaid begins to display its deadly side.

UCLA Student Film, Preserved by the UCLA Film and Television Archive. A drama about two night shift diner workers whose care for each other transcends the minutia. Bad tips, argumentative customers, and the long hours behind the counter foster a profound sense of solidarity between these two women.

The plot of film is constructed on the basis of memoirs of the son and mother. They were divided with border between northern and southern Azerbaijan.

UCLA Student Film, Preserved by the Wisconsin Center for Film and Theater Research. Dadaism explored through the visual interweaving of absurdist performance, collage, and theatricality, through recitations of Tristan Tzara and Samuel Beckett and nonsensical phrases and images.