Jiří Soukup

The Šumava Mountains hide buildings lost in the mountains, the Vydra River, a church, a rectory, marshes, a post office, a gold mine, and a hermit's hut. In this environment, the fates of the beautiful girl Anna, a tormented widow, her perpetually drunk husband—a postman—and dentist Holoubek, who left his native Vienna, intertwine. Over the course of the year, their paths cross, but then the summer of 1914 arrives and war intervenes decisively in the lives of all those involved... However, the characters' desires and quests are timeless.

Symbols and political analogies abound in this dramatically frustrating first work by a recent film-school graduate. In the story, Vojtech has survived World War II in a Czech prison following an unjust sentence. Now he is free, and the world is full of possibilities.

Knight Borek is searching for his missing son. Enthralled by the stories of children's crusades, little Jan has run away from home. Borek's crusade is a journey into his own subconscious, where he is forced to confront his greatest fear.

The story takes place in Czechoslovakia in 1987. The father has defected to England and the mother and her son are planning to leave the country to reunite with him. The film is told through the eyes of the fourteen year old boy, his rankled look without the veneer of experience and initiation in one day. Autobiographical.

The film follows five senior athletes along their biggest challenge - maturity. As all of them are between 80 and 100 years old it is a race against time and personal degeneration. Nevertheless they are united in one common goal - to take part in the track and field World Masters Championships. Life will end soon - so what?

A group of teenagers are trying to solve a mystery of a puzzle created and left to them by the dead boy.

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Sentiment is Tomáš Hejtmánek's intimate documentary portrait of the great Czech director František Vláčil. The film was inspired by encounters with the filmmaker and told through taped interviews, reconstructions of meetings with Vláčil, visits to actual film locations (of Marketa Lazarova, The Valley of the Bees and Adelheid) and Vláčil-inspired film sequences. The result is one of the most unique and personal portraits of any artist – a collage of voices, sounds and images that evoke and celebrate Vláčil’s life and work.

Petr Vaclav's documentary Pani Le Murie (Madam Le Murie, 1993) depicts the last survivor of an aristocratic family who refused to bow to Communism.

Stories from a long-ago garden that we find difficult, hard, and almost impossible to remember.