Birgit Sadolin

Rejseholdet is a Danish television crime series starring Charlotte Fich, Mads Mikkelsen and Lars Brygmann. Produced by Danmarks Radio, the program aired 32 episodes spanning four seasons from 2000 to 2004. Each episode revolved around an elite mobile police task force called "Unit One" that travels around Denmark helping local police solve crimes. Cases portrayed in the show were loosely based upon actual incidents of sensational crimes such as murders, kidnappings, cross-border sex traffic and child pornography. Rejseholdet won the 2002 International Emmy Award for best drama series.

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In 1970s Denmark, the criminal police in a provincial town solve different criminal cases, when the police was dominated by men and DNA was not yet a tool in investigation.

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The good people of a small community in the countryside near Copenhagen enjoy life and find their way to love.

Line married early to a crazy but lovely painter, who unfortunately one day became so crazy that he had to be hospitalized. For her, there was only one thing to do: refuse to let it get her down, quickly find a job—as a cashier at the local supermarket—set up a new home for her four children, and make it all work. But what about her dreams and love—and making ends meet...

The sequel to the mega-hit "Jul i Gammelby." The story takes place in the early 20th century, when more and more women are becoming independent of men, and machines are making their mark. The baron outcompetes the clog maker with his new factory, much to the dismay of the town's children—so with the help of the elves, they do everything they can to tease the baron. Meanwhile, at the telephone exchange, the switchboard operator listens in on the conversations so that she is the first to know everything.

After a stay in a sanatorium due to violent behavior during an arrest, Detective Karl Jørgensen is transferred to the fraud department. Here, Karl discovers a case involving his ex-wife and her new husband. When Karl begins to investigate the case, he is stopped by the police chief. Karl teams up with journalist John Bullnes. They gradually get closer to the truth, but are stopped when a suspect commits suicide. Karl is suspended and Bullnes is sent to Berlin on an assignment. Karl then takes the case into his own hands and arrests the city's mayor and a major contractor.

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Anders Refn's film adaptation of Gustav Wied's novel stars Jens Okking and Helle Hertz in the leading roles as Baron Helmuth and his wife Alvilda. The baron is deeply enamored with his wife, but she is repelled by his blunt and coarse nature and is drawn to her cousin, who fulfills her desire for passionate romance.

After his girlfriend is killed in an automobile accident, a man decides the best revenge on those responsible is to murder their loved ones.

Doctor Falke takes revenge on Gabriel von Eisenstein because, after a carnival, he left him lying in a park, disguised as a bat, so that he would be ridiculed by respectable citizens the next morning. Falke seizes the opportunity for revenge when Eisenstein gets himself into trouble by being sentenced to ten days in prison for disrespectfully mentioning a princely person. The wealthy Russian Prince Orloffsky has asked Doctor Falke to arrange the entertainment for his grand party – and in this lavish setting, Falke carries out his revenge.

11-year-old Jasper may just be starting puberty, but so far he has experienced a lifetime of emotions. On the day his beloved grandfather dies, he is charged with taking care of the elder's pet cat. The local town bully, Mourids however, has his own ideas on how to take care of the frisky feline and wastes no time with showing Jasper just what he thinks of cats. Enter Far, a significantly more mature girl who Jasper is attracted to. It's love at first sight for Jasper, but will Far return the puppy love or will Jasper find out the hard way that she is actually Mourid's girlfriend?

There is a cheeky Frida hiding inside all of us. Hideouts, secrets, kissing techniques, and dreams of becoming heroes by exposing evil bandits. Parents are just a nuisance, and when you finally want to take care of serving the guests, somehow it all goes wrong. It's a shame, because you just wanted to do it so well. Lykke Nielsen translated the best of the best from her books into this film. The children were happy to play along and at one point said that they would like to play in more films. That wasn't to be, but the film remains a sweet and funny everyday story that reflects the children's innermost dreams: to be allowed to be themselves without too much interference from outside. Throughout the film, the children go through a lot before they turn the villains over to the authorities, but that's how a children's film should be.

This festive comedy has a theme song that was incredibly popular in its day – but which is missing a verse! The penultimate verse ends as follows: "...there were 39 sailors and one girl, and that's why the censors deleted the last verse." In 1965, it was new and very daring for a girl to go to sea in the merchant navy. But fortunately, Peer Guldbrandsen and director Annelise Reenberg saw that girls also had a future at sea when they wrote the film's screenplay based on Else Boyes' best-selling novel. The moral frown is replaced by a big smile when the pretty radio operator, Else, boards the M/S Warrigal, owned by the magnificent shipowner, Wilhelmine Jacobsen. The trip from Brønshøj to Bangkok – and back – becomes as festive as an archetypal Danish male society can manage when a pretty girl destroys their age-old traditions.

Karl Åge and Regitze host a summer garden party for close friends, their son, and his family. Karl Åge is quiet, detached; Regitze is spirited, lively. He thinks back: love at first sight during the war, living together unmarried, her mother's hunger strike when they won't baptize their son. Regitze is passionate and forthright; she speaks her mind. He remembers her inviting a derelict for Christmas dinner, and the man shows up with five bashful friends. He recalls her taking on their son's teacher when the man slaps the lad. He remembers her love of dancing and his fear that his social clumsiness might end their relationship. Now, in twilight, he has other things to face.

A young woman goes on a vacation at an old farm, which once belonged to her deceased grandmother. Childhood traumas and the memories of her strict and authoritarian grandmother haunts the young woman and leads her to scary delusions and a mental breakdown.

Three girls (around 20 years old) who have grown up in different parts of Denmark get a strange letter. It turns out they are sisters, and will inherit from their late mother, if the can stay together one month in the same house. They end up in a lot of (romantic) trouble, because of speculations of who their father(s) might be.

From a working class coming-of-age novel, Morten Arnfred fashioned his feature film to recapture the feel, the sting, the pain, but also the spirit of solidarity of the 1950s in the metropolitan city of Copenhagen: at the center, young Johnny, helpless, hapless, happy, unhappy, going through the motions of growing up. Bodil awards: Best Film and Best Actor (Allan Olsen).