Fabrizio Franzini

Daniel is the only African-Italian officer in the flying squad in Rome, tasked with evicting 150 families from an apartment building that they have taken over. One of the families is his own.

In the 90s, Isabella was eighteen and a star. 20 years later, she is still singing those same songs in small town bars with her son Bruno, playing guitar. It's because of him that her career stopped. At least it's what she tells herself.

Alfredo talks to himself or rather talks with a cigarette—bad thing loneliness, real loneliness, especially at the age of seventy. Alfredo is a man who has loved another man, Mario. He loved him so much that he found the courage to come out and lose his job and family. Mario, on the other hand, continued his married life, then became a father and finally a grandfather, because he is gay, but only part-time. Alfredo cannot bring himself to let him go, but neither can he live that relationship in the middle, so separation becomes inevitable here. At first, Alfredo convinces himself that he can escape the melancholy but then he accidentally slips on his partner's shirt and sees their whole life together again. Yes because all it takes is a scent, a smell to return there, where one was loved. Mario no longer wants to separate himself from that smell, which turns into an obsession, convinced that once it is gone, the last traces of their love will also disappear.

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Relatives of a recently deceased wealthy man enlist the help of a wise man to help them inherit the dead man's properties.

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Nanni Moretti talks about the making of Ecce bombo while working out with his personal trainer.

A couple of city dwellers move to the suburbs and are bombarded by their hyperactive neighbours who aggressively try to get them to try a strange, new health product.

The tale of Cinderella set in today's Rome.

Nanni Moretti talks about films while he works out with a personal trainer.