Lautaro García Candela

Fede, a young bicycle delivery guy, leads a simple and carefree life, traveling around the city daily to deliver orders. One day, in the midst of his routine, he's assigned a delivery to a luxurious house where he meets Josefina, a girl from a wealthy family and surrounded by comforts. From their first encounter, a spark of attraction arises between them, despite belonging to completely different worlds.

Buenos Aires, 2019. Lucrecia, who jobs as a museum security guard, foresees a sharp rise in the dollar’s value with her pendulum and falls in love with a currency exchange house employee.

Brian gets into a fight with a group of elite rugby players after feeling humiliated and is injured. He decides to face them again, but this time armed. A film of revenge, of street epic, of camaraderie and neighborhood warriors.

In the urban jungle of Buenos Aires, Cichonga is the toughest badass around, until his nemesis steals his beer, the secret to his might and superhuman strength. Cichonga will have to pummel his way through to recover what is his.

Iván is a Spanish film producer who travels to Argentina with a single mission: to meet Carmen Trevilla, a cult director who is in the creative process of her new “video.” From minute zero, he feels captivated by her overwhelming and disconcerting presence. Although he still does not know if he is going to produce it – since he thinks that his cinema will not be well received by current European sensibilities – Iván takes advantage of every moment with Carmen to record, with his cell phone in his hand and an endless smile on his face, every adventure they embark on.

Pablo and Florencia work on Florida Street, the economic and tourist epicentre of Buenos Aires. Economic difficulties affect their life together. Pablo, in order to survive, begins to clandestinely smuggle dollars in the street. Taking advantage of the imminence of a currency crisis they will try to strike the blow that will take them out from the street once and for all.

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José Celestino Campusano is preparing a new film. To do so, he summons a group of men including Vikingo, his usual actor. The four of them reflect on their origins, violence and cinema.

Federico, in his mid-20s, lives alone in Buenos Aires. The day his grandmother dies, he decides to part with his girlfriend. He fears hurting her. However, she is laid-back, feisty and not even close to feeling hurt. He begins obsessing over her unexpected reaction—but then he meets someone else.

Pilar sets out on a journey from the capital to the center of Buenos Aires Province. During her search, she must deal with the past through the insistent audios of a man.

Paula has never met her mother, her father is already old, and that meeting is urgent for her. Along the way, she picks up clues that bring her closer and take her farther away from her goal, in a physical journey through Buenos Aires’ geography.

Fonso, Las Paritarias, two clowns, a stray dog, gay cops, a biker and his girlfriend, and a cursed poet inhabit the irreverent and metafictional world of Fonso y Las Paritarias.

An agoraphobic musician, locked up in his home, begins to live with a shadow cast on his wall; a shadow that has a life of its own. Meanwhile, between jobs, music, scripts, gymnasts and volleyball matches, the musician’s friends go on with their lives during the beginning of autumn in Buenos Aires.

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It seems that everything is over between Lara and Elías. He keeps sending her letters - we don't know if he sends them - and mulling over the matter. Meanwhile, he continues with his life, with a strange obsession that can become a bit dangerous.

It's a Friday night in Buenos Aires and Francisco is going around the city looking for Paula. His erratic journey through the "porteño" neighborhoods gets tense due to couples arguing, soccer matches, ephemeral love affairs, technical issues and old songs.

The Vote is a portrait of the time. The national filmography has vast examples of how politics is conceived (and filmed is overdetermined) as a ladder to obtain positions of power by power itself, as a shortcut in a personal career. We wanted to say that politics is, above all, a tool for transformation, for profound change.

Not much seems to happen in this gallery on Cabildo avenue, but when all the businesses have already closed, two girls stay inside and come up with a small vandalism project that saves their day.