Lyudmila Narusova

Guests are invited to the studio to have conversations with Andrey Malakhov, where they talk about their personal and professional successes, as well as anything else that interests them. Through these open discussions on air, viewers get a complete impression of the guest's life and their perspective on various issues.

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The documentary project The Term was conceived in May 2012. When the directing trio commenced mapping the Russian sociopolitical landscape, Vladimir Putin had just settled into the Kremlin for his third term. The original experimental format of “documentary bulletins,” which were published daily online, allowed for wide-ranging content; in the feature film version, however, the filmmakers focused solely on the members of various opposition groups. Nevertheless, the work’s neutral position remains and viewers have to interpret the objectively presented situations for themselves. The main characteristics of this strongly authentic movie include close contact with the protagonists, precise editing, and an effectively controlled release of information.

The first attempt in the history of Russian documentalism to understand what was the historical moment in which Anatoly Sobchak appeared in the political arena what his role in the history of the country was and, finally, why he suffered as a politician collapse. Perhaps his ideas were too advanced for his time?

After the father’s death, the daughter of one of the forefathers of modern Russian democracy, Ksenia Sobchak, tries to understand the 18 years of his political fate. Together with the director Vera Krichevskaya she gives the word to Anatoli Sobchak’s colleagues and opponents, gets acquainted with the criminal case which annulled his career, and tries to find an answer to the question what Anatoly Sobchak’s fate would be in today’s Russia.

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