Jeannine Gagné

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The arrival of the mining company Osisko creates a lot of excitement in Malartic, a small community of 3600 souls in Quebec, Canada. Faced with the implacable Mining Act, which prioritizes the right to exploit subsoil resources rather than the right to property, many families and seniors need to write off certain elements of their heritage plus a part of their lifestyle to make room for the largest open-pit gold mine in Canada. The characters in Others' Gold experience in their own way this major change that will affect their lives and urban environment.

Gilles Carle, the prolific director of such movies as La vraie nature de Bernadette and Maria Chapdelaine, has been struggling against Parkinsons disease with dignity for about fifteen years. Based on Carles last script completed in 2000, entitled 'Mona MC Gill et son vieux père malade', Charles Binamés documentary, which took slightly over two years to film, gives us a friendly, penetrating look of a brave, lucid creator confronted with suffering and the perspective of death. Although the subject is grave, we see a stong will to live and to create. A movie shrouded in all the light and love of Chloé Ste-Marie, the famous directors companion of 25 years.

A bittersweet tale about a small group of men and women whose forest adventures trigger memories of childhood and past loves. A harsh fantasy, wherein it is hard to tell whether the characters are living in their dreams, or dreaming away their lives.

This short documentary chronicles the everyday life of the city's residents. We hear testimonials from citizens set against black-and-white images of life downtown.

At the heart of the Plateau Mont-Royal, Roger Toupin owns a corner grocer that has become an impromptu social club frequented by people who belong to a way of life that is fast disappearing. The film captures the touching and revealing last moments of this unique place.

Art in Action is a portrait of two provocative Montreal artists, Annie Roy and Pierre Allard whose urban installations sound the alarm concerning important social issues.

Coming from the countryside to visit a friend, Solange 75, rediscovers Montreal. She talks to everyone with confidence and does some portraits of the people she meets. She meets Tom, a younger, moody and disillusioned man. Fictional scenes are interwoven with documentary scenes: portraits of Montrealers and snatches of conversations taken from life.

An asynchronous student short depicting popular Montreal, while sung audio segments echo its psyche.

Following the work of Marie-Claire Blais and featuring book excerpts, this film presents a mosaic of her universe, giving a fresh take on the cinematic literary biography.

In November 2001, Quebec Painter Edmund Alleyn (1931-2004) agreed to be filmed in his Montreal studio by his daughter, filmmaker Jennifer Alleyn. There, something unexpected happened : an authentic encounter, with no beating around the bush, no mask. From a few existential questions –about life, painting, death- thruth emerged. The artist died of cancer in December 2004 before Jennifer could film him again. After inheriting his studio, she found herself in this sacred space, still imbued with the presence and imagination of her father. Her film is an attempt to prolong the dialogue, to find the missing fragments of her father’s life. Edmund Alleyn was an intense and complex man of integrity who left his mark on Canadian art history.