Kentaro Hirase
Directing
Known For

A man trapped in an endless sterile subway passageway sets out to find Exit 8. The rules of his quest are simple: do not overlook anything out of the ordinary. If you discover an anomaly, turn back immediately. If you don’t, carry on. Then leave from Exit 8. But even a single oversight will send him back to the beginning. Will he ever reach his goal and escape this infinite corridor?
Exit 8

A mysterious man appears before six individuals, each struggling with their own issues, as an impending disaster disrupts their lives, unraveling suspense and psychological tension.
Sai

No description available.
あれからどうした

Diagnosed with dementia, Yuriko's mind quickly begins to fade. Yet, for her son Izumi, memories of the mother feel as vivid as when he lived them. One in particular, when he believed she had disappeared, haunts him terribly.
A Hundred Flowers

Miyamatsu, who works as a cable-car operator, is also a film extra. Through his different characters he has been living the life of a stranger, only playing that part. Finally he comes face to face with his own life, the one he had lost.
Roleless

Four people lead ordinary lives in different places, their paths never crossing. A mysterious man appears in each story, always as someone else. One moment, a cram school instructor; the next, a truck driver, a barber - his identity constantly shifting. Then, death strikes. A detective pursues the truth, closing in on a revelation...
Sai: Disaster

This story is about the various possibilities in life faced by a mother and her son. They arrive at a train station in a small rural town with some purpose in mind. On their way to their destination, the parent and child are faced with a variety of choices. While some of the choices are trivial, others are very important for the two.
Duality

No description available.
泉京香は黙らない
In our lives, you have to endure moments when you don’t know how to behave. In a Japanese wedding, everything proceeds as planned, but you can’t do something else even if you are bored, and you can’t look displeased because it is an auspicious occasion. At the end, liberation should be awaiting…
Happo-en

A boy, who looks out of place, visits a hair salon in a women’s prison where, as part of their job training, inmates cut the hair of regular customers. Under the watchful eyes of the prison officers, haircutting is the only act allowed between the hairdresser and the boy. Despite this, the time spent together is special to them both.