Acting
Set in Czechoslovakia, the drama follows the lives of its characters against the backdrop of real historical events that shape their personal stories. To evoke period atmosphere, the series intersperses authentic clips from vintage Czechoslovak film newsreels, using their original commentaries or newly recorded historical voice-overs by Vladimír Fišer. A narrator, initially voiced by Vojtěch Kotek and later by Matěj Hádek, provides continuity and reflection, guiding viewers through changing times. Under the guidance of screenwriter Rudolf Merkner, each episode’s script weaves family and individual dramas into key moments of Czech and Slovak history: political shifts, cultural trends, and social transformations from the 1960s onward.
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Douglas is a foreign entrepreneur, who ventures to Russia in 1885 with dreams of selling a new, experimental steam-driven timber harvester in the wilds of Siberia. Jane is his assistant. On her travels, she meets two men who would change her life forever: a handsome young cadet Andrej Tolstoy with whom she shares a fondness for opera, and the powerful General Radlov who is entranced by her beauty and wants to marry her.
Two classmates, the hard-working and honest Eva and the hot-tempered Petr, collect the most waste in a school competition and are rewarded with a trip to the sea in Bulgaria.
Oligophrenic Fany (Bohdalová) lives with her aunt who suddenly manages to travel abroad. Fany has to move to her sister (Jirásková). Two very different women, one mentally disabled and the second one intelligent doctor has to live together and learn from each other about tolerance, loneliness, life and why call dogs "Mister".
The already old King Charles IV. is fully devoted to politics and reigning and does not have as much time for his wife Anna Svídnická (third in line) as the young and in love monarch would like. Anna therefore weaves a small intrigue to incite the king to jealousy. The second picture from the life of the aging Charles IV. concerns his last wife Elizabeth. On the contrary, she does not desire the king's tenderness at all and prefers to devote herself to the problems of the monarchy. But this time it is the king who craves marital joys, and therefore tries to arouse jealousy in the queen...
