Matīss Gricmanis

A drama about the national resistance movement in Latvia after the Soviet occupation. Events take place in 1949 when the British intelligence service MI6 tries to find out about the situation in the Baltic States occupied by the Soviet Union. Wittold (Jekabs Reinis), together with other Latvians, works hard in his daily work, and Velta (Agnese Cirule) is a nurse. They dream of going to the United States, saving money, planning a wedding and arranging the necessary documents because the US carefully selects emigrants. But Wittold decides to take part in the Mission, and the hope of changing history changes his life.

On May 4th 1994, the 4th anniversary of Latvia’s splintering from the Soviet Union, rookie police investigator Aldis Karklins is tasked with solving the murder of Natalia Nolle, an influental behind-the-scenes political figure. The trail leads the 23-year-old Aldis in to the underbelly of organized crime and KGB conspiracies that outlive the Soviot Union. A miniseries in seven episodes, based on the novel "Don't Call Me, Don't Look for me! Life of Soviet Secret Agent" (Meklējiet sievieti) by acclaimed Latvian crime fiction writer Andris Kolbergs.

“Under the Upturned Moon” is a documentary that tells an outstandingly gripping story of two journalists investigating the depths of Islamic community in a country as small and seemingly insignificant as Latvia.

Žanis Lipke, an ordinary blue-collar worker in Latvia, embarks on a covert operation. Despite his family’s hardship under successive Soviet and German occupations, Lipke tries to save local Jews from Nazi persecution and certain death, moving them from the Riga ghetto to an underground bunker hidden on his property.

It is year 1994. Spring. In Jelgava – a small town in Latvia. Jānis (14) – behaves well at school, shows interest in all subjects, and studies well. His mother loves him very much. There are exactly two things happening in one day, which change his life completely. One – a new girl, Kristīne (15), comes to his class and attracts everybody’s attention immediately. And second– Kurt Cobain commits suicide. Until this moment Jānis does not know anything neither about Nirvana, nor about Cobain. But very soon he finds out.

In this film a young man and his curmudgeonly grandfather are going 1,800 km to northern Russia in an old Zhiguli car, hoping to find the grave of their great-grandfather, who was deported. The grandfather Andris is sceptic over the lofty quest, initiated by his grand-son, as it’s not known what awaits them at their destination. Andris thinks they won’t find anything and will come back to Latvia without ever learning what happened to his father. However ever-optimistic Kārlis wants to use the journey not only to find answers about the past but also become closer to his grandfather who raised him. They both lost their parents as children.

During Latvia’s centennial year, 15 filmmakers created each his own film portrait of a person living in Latvia on the background of centenary events. Documentary 2018 combines these stories into a unique poetic vision based on analogy with the documentary 235 000 000, a classic of the Riga school of poetic documentary cinema. This film is an attempt to make sure whether the codes of the poetic cinema are still relevant and accessible today.

A future husband has been chosen for Princess Alda; it is Prince Magnus. The King is getting ready for his daughter’s wedding and handing down the crown to his future son-in-law. Government ministers and advisors are making preparations for the royal nuptials. A circus troupe also arrive for the celebrations. A chance meeting between the Princess and a circus artist in the palace garden threatens to disrupt the wedding plans. The stranger gives the Princess a heart as a gift – because she does not know what that is. There is order in her father’s kingdom, and there is security – but no-one has a heart. The heart allows the Princess to talk with the grass, the trees and toads, and the silenced child inside her starts to remember her late mother. When the King discovers that, he gives an order to cut it out of her chest, but the royal husband-to-be hides the girl to fight for her new-found heart.

Who am I when no one is around, Sabine asks when she is alone. The young woman’s life changes when falling in love leads to a personality crisis. She seeks peace and refuge by running away from her everyday life and hopes for new changes, but is instead forced to confront her inner self and play the role of victim that she is so familiar with. The message here speaks about the radically different perceptions of women and men regarding the world, which they can only understand by sharing and cooperating with each other.

The film tells the story of the situation after World War I, when the newly established state of Latvia had to engage in a political and military struggle for its existence. The support of the Western allies (Great Britain, France, and the United States) played a significant role in Latvia's struggle for independence. Great Britain was the first to get involved in the fight for Latvian independence, with its warships reaching the Latvian coast in December 1918. The film's script is based on historical documents, including reports to the British government on the situation in Latvia by Austin Keenan, head of the British military mission, and British diplomat Herbert Grant Watson, as well as other historical evidence. The film's visual narrative consists of reenactments, photographs, and newsreels.

Project: Moving sees a young professional explore and debate the trend of young people leaving Rīga for somewhere more suitable for living, particularly the town of Cēsis in the scenic Vidzeme region. "We are simply showing that right now Cēsis has become the hipster capital, and it's not bad at all. It's like a different kind of gentrification, and it affects not just a single quarter, but the entire town."

A couple that does not fit into society’s accepted norms regarding women and men. Routine problems of everyday life that tend to take on immeasurable amplitudes push the film’s leads into a most intimate confinement, one in which thoughts and the answers to problems lead to dreams.