Željka Suková

A documentary musical comedy with elements of kitchen-sink realist drama, featuring Marija's three granddaughters: Nina, Zeljka and Danira.

This allegorical docufiction provides the viewer with a lightly meditative and at the same time modern impression of the Christian holiday while paying witness to the transformation of the sacral space and the holiday's religious message. The film's anonymous protagonists from opposite sides of the world discuss the paths of their faith in this visually stylized and stylistically edited film.

A boy and girl wander alone through lush terrain looking for something. The moment they find a mysterious gate amid the dense shrubbery, they gain the ability to travel to both real and unearthly landscapes. More and more, a childlike imagination and the conflict between the profane and the sacred begin to permeate their behavior.

A silent, black-and-white train journey through Eastern European winter landscapes takes a man to a Croatian village. An arrival in the cinematic tradition of 1920s avantgarde, with the railway and industrial modernity as a favourite graphical motif, which takes him past a fish market and a strange procession, and finally home to a small family, where the grandparents drink tea, smoke cigarettes and chat cheerfully. The image of a young woman burns itself onto the celluloid - and into the filmmaker's consciousness.