Jordi Bransuela

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Alex, a young actress, is sexually assaulted at a New Year’s Eve party at a friend’s house. That night, she never manages to see the face of her aggressor, a fact that will end up eating away at her. Throughout the following year, she will have to face feelings of guilt, disgust and shame. While Alex tries to channel all her pain through theatre, where she takes on the role of the famously vengeful Medea, her brother, Adrian, must face the guilt he feels at not having been able to protect his sister and his impulse to let himself be carried away by his own decisions. What were once the typical conflicts you might expect between any siblings, give way to much more extreme and complex emotions.

The many faces of Barcelona are portrayed in this documentary, shot in a false sequence shot that goes across the streets, squares, markets and bars of a city that is presented as both conventional and law-breaking, exquisit and shameless, elegant and dispossessed.

Andrea lives in the year 2052 and her job consists of travelling back in time, inserting herself into our heads to make us aware of the importance of energy efficiency in safeguarding the environment. The goal of these journeys is to change the fate of the world, but Andrea is also planning to change her own fate, preventing her past self from committing the mistakes she now regrets so much.

Fascinating chronicle of the ascendancy of FC Barcelona - possibly the top team in the world and powerful emblem of Catalan identity - 'Barca: More than a Club'. Director Jordi Llompart charts the team's inexorable rise from its origins with founder Joan Gamper more than 100 years ago to a Champion's League-winning side that boasts striker Lionel Messi and prestigious coach Pep Guardiola.

In 1938 the Spanish Civil War has worn both armies and destroyed the mood of the people of both sides. The differences between national Republicans however are revealing: The fascist side has the unconditional support of arms and men facilitated by Hitler and Mussolini while the Republican army is ignored by a Europe more concerned of a possible World War than the fate of Spain. Thousands of young people between 17 and 18 rows are called by the republican army. These are the main characters, four young for whom the Battle of the Ebro will be the first direct contact with the war. This film tells the story of these young people forced to leave behind innocence and into whistling bullets.

What's on the other side of Fornells bay? Pepe el Malo is an urban legend or he really existed? This documentary doesn't try to shed light on the dark; it rather plays deftly with the ambiguities of a character that is part of the Menorcan imaginary.

After consolidating itself as a tourist destination in the mid-1960s, this small coastal village has become the dormitory town for the workers of a Nuclear Power Plant. With the liberal promise of prosperity and socioeconomic wellfare, many workers left their homes to move to the small city and started working at the new Nuclear Power Plant. The collective unrest and the silence, cut off by the great gusts of wind, articulate the landscape of the village that is now under the aid of the Nuclear Power Plant.

Nico Albert is a very peculiar character teenager, with exceptional intelligence and a single obsession: chess. His parents, concerned about the anomalous attitude of his son, child psychologist hired Julio Beltran. Through therapy and common hobby chess, Julio will delve into the disturbing world of Nico and the complex relationships of this seemingly normal family.

A beautiful, sometimes faintly bonkers celebration and contemplation of the role Bach’s music plays in the world today. Blending historical reconstruction with very loosely linked ‘dramatic’ scenes and documentary sequences, the film constitutes a playful, painterly sequence of variations on the argument that Johann Sebastian changed the way the world hears thanks to his extraordinary ear for harmony.

Chetia, a single mother of an unwanted child, is forced to make a rough living in Torrevieja running balconing bets.

The farmhouse of a rural family is declared unfit for habitation. While part of the family fights to save the space their ancestors built, the younger ones imagine where they could go.

Carles Santos plays several of his pieces on the piano. This film was made for the exhibit on Carles Santos Visca el piano! held at the Miro Foundation in the summer of 2006.

A woman slowly fades into darkness waiting to see her son one last time.

Aaron is a 19 year-old with a close relationship with his family. His grandmother Pilar has dementia and wants to return to Salcedillo, the village where she was born and lived until they decided to move to Barcelona, but her husband and daughter refuse. Unable to accept his grandmother’s condition, Aaron wants to take her there to hopefully postpone the inevitable loss.

No description available.