Sebastian Winkler

A team of inspectors investigates murders in and around the small Upper Bavarian town of Rosenheim, and they still have plenty of time to see idyllic landscapes and luxurious pre-alpine villas and enjoy sumptuous Bavarian fare with beer.

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A show about two Bavarian police officers, Franz Hubert and Johannes Staller, who sometimes work a bit differently. Where Franz wants to follow regulations, Johannes likes to do things his own way.

Series written by Christiane Sadlo about writer and journalist under the pseudonym "Inga Lindström" and her family. Characterized by impressive landscapes, all of which are shot on location in Sweden. Series has no continuous storyline, and each episode is filled with new characters.

Hallo Robbie! is a German television series.

Lena Lorenz is a captivating drama series that follows the life of a talented and ambitious midwife, Lena Lorenz, who returns to her idyllic hometown in the Bavarian Alps after working for several years in a bustling city hospital. Seeking a quieter and more meaningful life, Lena embarks on a journey of self-discovery, as she navigates the challenges and joys of her new profession in the picturesque rural village.

München 7 is a German police drama series from Franz Xaver Bogner. The show is set in Munich, Germany and features the fictive police station "München 7" or "Munich 7". The main characters are the "Sheriff from Marienplatz" Xaver Bartl and his new colleague Felix Kandler. München 7 is part of a series of commonly branded shows with similar themes called "Heiter bis tödlich".

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Too bad: Knight Rusty's big show fight in honor of the Knights of Scrapland completely backfires and plunges the kingdom into total chaos. The king rages and sends the knights all to the devil. While Miss Bö goes to work and the dragon Koks takes care of the household, Knight Rusty sits alone in the cellar and mopes. Until there he meets Gespenst, his father's former assistant, one of the greatest inventors of Schrottland. And Knight Rusty decides to complete his father's work. Will our tin hero manage to restore the honor of his friends with the help of his inventions?

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The Norwegian fjords are among the most impressive landscapes in Europe. In the deep, cold waters lies a surprisingly rich underwater world: from vast coral reefs full of luminous sea creatures to herring orcas and humpback whales. The prize-winning nature filmmaker Jan Haft reveals the special and enchanting richness hidden in the dark water. In the deep fjords, animals and plants survive in a fascinating society that is being portrayed for the first time. Fjord is an intimate portrait of a unique wilderness.

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In Iceland, volcanoes line up like pearls on a string. In the mountains and valleys the ground boils. It smokes, hisses and bubbles. Although rising from the sea as a bare lava island, life thrives on Iceland's volcanic slopes. Whether in icy heights or abysmal crevasses that tell of the fact that the earth is tearing apart here, between the North American and Eurasian tectonic plates - Iceland is a natural paradise. Magical Iceland: Living on the World's Largest Volcanic Island is a testament to the island's unexpected biodiversity and spectacular landscapes, both above and below the water.

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A documentary about Malga Kubiak and her team. It's not only a movie about her, but also about the situation of independent, lesbian and queer cinema in Poland, Europe and all over the world. Malga is a director, activist, mother, daughter and grandmother. Her family is constantly engaged in her work. She made over 40 movies about such queer icons as Pasolini, Annemarie Schwarzenbach, F.G. Lorca, Andy Warhol or Lizzie Siddal, the muse of Pre-Raphaelites.

The radical Polish director Małga Kubiak is regularly represented with her films at the Pornfilmfestival Berlin. In 2016 we showed “Andy Warhol to se vrati: boyz” and in 2019 followed “Federico Garcia Lorca Noir Despair”. Last year she was in the festival program with “Xreens”. In her latest film “D’Vinci”, the filmmaker again reflects on a famous artist. As expected, it did not turn out to be a typical biopic, and Kubiak dives deep into the meaning that her films and her way of working have and had for herself and for others – as always in her incomparable no-budget style. In today’s conservative Poland, her way of making films is no easy feat.

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