Acting
"Evening Drink Style" (Banshaku no Ryugi) is a popular Japanese drama about Miyuki Izawa's ritual of crafting the perfect meal to pair with her end-of-day drink, often beer, emphasizing simple pleasures, moderation, home cooking, and work-life balance, a concept resonating with viewers seeking relaxing, relatable content with culinary inspiration. It's known for its calming vibe, focus on delicious food pairings (like lamb with soy-ginger sauce), and promoting a healthy approach to enjoying alcohol.
A being of light hailing from a faraway galaxy unites with Yuma, the protagonist who owns tremendous “power of imagination,” and they form the gigantic new Ultra Hero: Ultraman Arc.
Nagasaki, 1964: Following the death of his Yakuza father, 15-year-old Kikuo is taken under the wings of a famous Kabuki actor. Alongside Shunsuke, the actor’s only son, he decides to dedicate himself to this traditional form of theatre. For decades, the two young men grow and evolve together – and one will become the greatest Japanese master of the art of Kabuki.
In the end of Meiji era, Takei Chiyo was born in a poor family in Osaka, and was sent to a theatre tea room as a servant when she was 9 years old. There, she was attracted by the world of theatre comedy. She grows up to be an actor and marries to Amami Ippei , but the war broke out and she was forced to stay away from acting for a while. However, when she comes back again, her acting in a radio drama impresses many people and makes herself one of the leading actors in western Japan.
A mysterious vampire novelist uses his supernatural powers to solve complex crimes alongside a rookie editor, slowly regaining his lost humanity through their bond.
Giba (Ryo Yoshizawa) and several of his colleagues work at a revenge agency. A mysterious girl called "Taker" leads the group. Giba lacks emotion for a person. The revenge agency takes on revenge requests on behalf of their clients. Their clients include a woman who is a victim of a fraud marriage and the family of a victim killed by a serial murderer.
No description available.
After a life of solitude, a lawyer finds companionship with an art teacher. But behind their quiet union lies a secret that could change everything.
Born in 1937 in Osaka as the eldest daughter, Kawahara Kimiko moves to Shigaraki with her family at the age of 9. She works to support her family from a young age. Eventually, she jumps into the male world of pottery and becomes a pioneer of female ceramic arts. After marrying her husband who is also involved in ceramics and owning her own kiln, she raises her two children while struggling to create unique ware.
Two high school girls who are about to graduate also happen to be highly-skilled assassins. When the organization they work for orders them to share a room, their relationship quickly sours. But when they become targets of the yakuza, the girls realize they'll have to work together to survive.
Shigami (Hitoshi Ozawa) is asked to defend Satoru, the son of Tokyo Metropolitan Assembly member Shimada, who is undergoing voluntary questioning. Inspector Kazama (Yasukaze Motomiya) leads the interrogation, while prosecutor Akiyama (Nagiko Tsuji) questions the victim Miho, sensing she is hiding something. Hoping for a settlement, Shigami instead finds contradictions between the two accounts and joins forces with Akiyama to uncover the truth. Their investigation leads to Tatsuya of Toraku Kids, and Shigami, his assistant Toda (Sho Aoyagi), and Akiyama rush to Miho’s captivity—only to face a tragic outcome.
"Takehiko Kanroji, notorious for a man of power harassment, an executive officer of the publishing company "Yudansha" has been transferred from Nagoya to the Tokyo head office. His mission is starting a magazine. However, the theme is ""sweets"" that Kanroji hates most. Even so, he tries to tackle the given work with all his heart, but his subordinates fed up with his overbearing attitude.
Attorney Noboru Shigami (Hitoshi Ozawa), known by the nickname “The Courtroom Reaper,” once served as legal counsel to a yakuza organization. Now, together with his assistant Koji Toda (Sho Aoyagi), he runs the Harukaze Law Office. Shigami is asked by Seigo Kishi (Shinzo Hotta), the first chairman of the Kishi-gumi, to defend Shinya Narumi (Masataka Fujishige), the wakagashira of the second-generation Kishi-gumi, who is currently undergoing mediation. Heading to court underprepared, Shigami faces prosecutor Mika Akiyama (Nagiko Tsuji). During the proceedings, he senses something off about Narumi’s testimony. Meanwhile, Toda uncovers new information about the Kishi-gumi, prompting Shigami to dig deeper into the truth behind the case.
In today’s world, where the comedy boom has reached its peak, the gaze of fans filling the theatres is now focused not only on the comedians’ personas, but also on the structure of their routines, their meticulously calculated ‘boke’ (comic foil), and their masterful ‘tsukkomi’ (straight man) skills. Amongst these fervent fans, there was one woman who stood out in particular— The protagonist: Sachiko Kageyama (25). She has but one interest: the ‘skit’—the very soul of a comedian. Carrying a red notebook, she visits theatres day in, day out, dissecting manzai routines with a sharp eye reminiscent of the legendary All Kyojin. She was known as a ‘Neta-jo’—a professional skit watcher.
Takashiro Naoya is a handsome salaryman who works for a top company. However, he is also a notorious playboy with a bad taste in women. By chance, he ends up becoming the live-in muse for Fukunaga Akane, an erotic fiction writer who has little experience in love.
Kawamoto Tsugumi is a woman who is not good at interacting with people and has no friends. When she comes across an Instagram account nicknamed "White Horse", she is fascinated by how the meals are captured very attractively in the photos. The posts and captions resonate with her. Tsugumi starts to go for meals on her own by eating the same food as "White Horse". On the other hand, Shiraishi Kazuma who manages the "White Horse" account, is delighted about and eagerly anticipating the only "like" he gets for his posts from Tsugumi.
College student Tokiwa gets invited to a mixer by his female classmate Suo. But when he arrives with his friends, they’re greeted by three dazzlingly handsome men?!
Asao Atsuko works at the bento shop “Yonesuke” in Yanaka, Tokyo. Iwaki Kohei is a patent attorney who handles procedures related to patents and other intellectual property on behalf of his clients. The two met in university and, twelve years later, are still living together. They have a close, comfortable relationship—sharing meals every day and noticing even the smallest changes in one another, leading a life they are content with. However, Kohei ends up having a one-time affair with his colleague, fellow patent attorney Takano Yuko. Standing at a crossroads in their lives, the three struggle with hesitation, emotional drift, and stubborn pride. What kind of “family” will they ultimately arrive at?
Tourists, foreigners and outcasts converge on the streets of Osaka in this sprawling ensemble drama by Japan-based, Malaysia-born filmmaker Lim Kah Wai. His eighth feature explores the lesser-known aspects of the Asian melting pot city through the eyes and experiences of a dozen characters who struggle to find their place in society: among them a Nepali refugee with dreams of opening a restaurant, a Burmese student struggling to make ends meet while working two jobs, and a Taiwanese sex tourist who travels to meet his favorite adult video actress.
